The snow-image, and other twice-told talesHawthorne, Nathaniel
General
The snow-image, and other twice-told tales
Hawthorne, Nathaniel
Historical fiction, American; New England -- Social life and customs -- Fiction; Short stories, American
“What is so eloquent as their iron tongues!” exclaimed Oberon. “My
heart leaps and trembles, but not with fear. And that other sound,
too,—deep and awful as a mighty organ,—the roar and thunder of the
multitude on the pavement below! Come! We are losing time. I will cry
out in the loudest of the uproar, and mingle my spirit with the wildest
of the confusion, and be a bubble on the top of the ferment!”
From the first outcry, my forebodings had warned me of the true object
and centre of alarm. There was nothing now but uproar, above, beneath,
and around us; footsteps stumbling pell-mell up the public staircase,
eager shouts and heavy thumps at the door, the whiz and dash of water
from the engines, and the crash of furniture thrown upon the pavement.
At once, the truth flashed upon my friend. His frenzy took the hue of
joy, and, with a wild gesture of exultation, he leaped almost to the
ceiling of the chamber.
“My tales!” cried Oberon. “The chimney! The roof! The Fiend has gone
forth by night, and startled thousands in fear and wonder from their
beds! Here I stand,—a triumphant author! Huzza! Huzza! My brain has set
the town on fire! Huzza!”
JOHN INGLEFIELD’S THANKSGIVING
On the evening of Thanksgiving day, John Inglefield, the blacksmith,
sat in his elbow-chair, among those who had been keeping festival at
his board. Being the central figure of the domestic circle, the fire
threw its strongest light on his massive and sturdy frame, reddening
his rough visage, so that it looked like the head of an iron statue,
all aglow, from his own forge, and with its features rudely fashioned
on his own anvil. At John Inglefield’s right hand was an empty chair.
The other places round the hearth were filled by the members of the
family, who all sat quietly, while, with a semblance of fantastic
merriment, their shadows danced on the wall behind then. One of the
group was John Inglefield’s son, who had been bred at college, and was
now a student of theology at Andover. There was also a daughter of
sixteen, whom nobody could look at without thinking of a rosebud almost
blossomed. The only other person at the fireside was Robert Moore,
formerly an apprentice of the blacksmith, but now his journeyman, and
who seemed more like an own son of John Inglefield than did the pale
and slender student.
Public-domain text, read in full here on John Shaqi.
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