The cicadas chant monotonously, mingling their ceaseless notes with the trills of the cricket hidden in the grass, or the chirp of the little lizard which has come out in search of food, while the big gekko, no longer fearing the water, disturbs the concert with its ill-omened voice as it shows its head from out the hollow of the decayed tree-trunk. The dogs howl mournfully in the streets and superstitious folk, hearing them, are convinced that they see spirits and ghosts. But neither the dogs nor the other animals see the sorrows of men--yet how many of these exist! Distant from the town an hour's walk lives the mother of Basilio and Crispin. The wife of a heartless man, she struggles to live for her sons, while her husband is a vagrant gamester with whom her interviews are rare but always painful. He has gradually stripped her of her few jewels to pay the cost of his vices, and when the suffering Sisa no longer had anything that he might take to satisfy his whims, he had begun to maltreat her. Weak in character, with more heart than intellect, she knew only how to love and to weep. Her husband was a god and her sons were his angels, so he, knowing to what point he was loved and feared, conducted himself like all false gods: daily he became more cruel, more inhuman, more wilful. Once when he had appeared with his countenance gloomier than ever before, Sisa had consulted him about the plan of making a sacristan of Basilio, and he had merely continued to stroke his game-cock, saying neither yes nor no, only asking whether the boy would earn much money. She had not dared to insist, but her needy situation and her desire that the boys should learn to read and write in the town school forced her to carry out the plan. Still her husband had said nothing. That night, between ten and eleven o'clock, when the stars were glittering in a sky now cleared of all signs of the storm of the early evening, Sisa sat on a wooden bench watching some fagots that smouldered upon the fireplace fashioned of rough pieces of natural rock. Upon a tripod, or _tunko_, was a small pot of boiling rice and upon the red coals lay three little dried fishes such as are sold at three for two cuartos. Her chin rested in the palm of her hand while she gazed at the weak yellow glow peculiar to the cane, which burns rapidly and leaves embers that quickly grow pale. A sad smile lighted up her face as she recalled a funny riddle about the pot and the fire which Crispin had once propounded to her. The boy said: "The black man sat down and the red man looked at him, a moment passed, and cock-a-doodle-doo rang forth."