The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
The sound of hoofs was heard, proceeding from a small train of men
and women mounted on poor nags, each between two baskets hung over
the back of his mount; it was a party carrying fish to the interior
towns. Some of them on passing her hut had often asked for a drink of
water and had presented her with some fishes. Now as they passed her
they seemed to beat and trample upon her while their compassionate
or disdainful looks penetrated through her pañuelo and stung her
face. When these travelers had finally passed she sighed and raised the
pañuelo an instant to see how far she still was from the town. There
yet remained a few telegraph poles to be passed before reaching the
_bantayan_, or little watch-house, at the entrance to the town. Never
had that distance seemed so great to her.
Beside the road there grew a leafy bamboo thicket in whose shade she
had rested at other times, and where her lover had talked so sweetly as
he helped her carry her basket of fruit and vegetables. Alas, all that
was past, like a dream! The lover had become her husband and a cabeza
de barangay, and then trouble had commenced to knock at her door. As
the sun was beginning to shine hotly, the soldiers asked her if she did
not want to rest there. "Thanks, no!" was the horrified woman's answer.
Real terror seized her when they neared the town. She threw her
anguished gaze in all directions, but no refuge offered itself,
only wide rice-fields, a small irrigating ditch, and some stunted
trees; there was not a cliff or even a rock upon which she might dash
herself to pieces! Now she regretted that she had come so far with
the soldiers; she longed for the deep river that flowed by her hut,
whose high and rock-strewn banks would have offered such a sweet
death. But again the thought of her sons, especially of Crispin, of
whose fate she was still ignorant, lightened the darkness of her night,
and she was able to murmur resignedly, "Afterwards--afterwards--we'll
go and live in the depths of the forest."
Drying her eyes and trying to look calm, she turned to her guards and
said in a low voice, with an indefinable accent that was a complaint
and a lament, a prayer and a reproach, sorrow condensed into sound,
"Now we're in the town." Even the soldiers seemed touched as they
answered her with a gesture. She struggled to affect a calm bearing
while she went forward quickly.
Public-domain text, read in full here on John Shaqi.
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