The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
If we should now go into the home of Maria Clara, a beautiful nest
set among trees of orange and ilang-ilang, we should surprise the two
young people at a window overlooking the lake, shadowed by flowers
and climbing vines which exhaled a delicate perfume. Their lips
murmured words softer than the rustling of the leaves and sweeter
than the aromatic odors that floated through the garden. It was the
hour when the sirens of the lake take advantage of the fast falling
twilight to show their merry heads above the waves to gaze upon the
setting sun and sing it to rest. It is said that their eyes and hair
are blue, and that they are crowned with white and red water plants;
that at times the foam reveals their shapely forms, whiter than
the foam itself, and that when night descends completely they begin
their divine sports, playing mysterious airs like those of Æolian
harps. But let us turn to our young people and listen to the end of
their conversation. Ibarra was speaking to Maria Clara.
"Tomorrow before daybreak your wish shall be fulfilled. I'll arrange
everything tonight so that nothing will be lacking."
"Then I'll write to my girl friends to come. But arrange it so that
the curate won't be there."
"Why?"
"Because he seems to be watching me. His deep, gloomy eyes trouble
me, and when he fixes them on me I'm afraid. When he talks to me, his
voice--oh, he speaks of such odd, such strange, such incomprehensible
things! He asked me once if I have ever dreamed of letters from my
mother. I really believe that he is half-crazy. My friend Sinang and
my foster-sister, Andeng, say that he is somewhat touched, because
he neither eats nor bathes and lives in darkness. See to it that he
does not come!"
"We can't do otherwise than invite him," answered Ibarra
thoughtfully. "The customs of the country require it. He is in your
house and, besides, he has conducted himself nobly toward me. When
the alcalde consulted him about the business of which I've told you,
he had only praises for me and didn't try to put the least obstacle
in the way. But I see that you're serious about it, so cease worrying,
for he won't go in the same boat with us."
Light footsteps were heard. It was the curate, who approached with a
forced smile on his lips. "The wind is chilly," he said, "and when
one catches cold one generally doesn't get rid of it until the hot
weather. Aren't you afraid of catching cold?" His voice trembled
and his eyes were turned toward the distant horizon, away from the
young people.
"No, we rather find the night pleasant and the breeze delicious,"
answered Ibarra. "During these months we have our autumn and our
spring. Some leaves fall, but the flowers are always in bloom."
Fray Salvi sighed.
"I think the union of these two seasons beautiful, with no cold winter
intervening," continued Ibarra. "In February the buds on the trees
will burst open and in March we'll have the ripe fruit. When the hot
month's come we shall go elsewhere."
Public-domain text, read in full here on John Shaqi.
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