The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
They were silent for a short time, then tried to talk in low tones,
but soon forgot themselves and again filled the street with their
fresh young voices.
"Behave as if you were displeased and don't talk to him," Sinang was
advising Maria Clara. "Scold him so he won't get into bad habits."
"Don't be so exacting," objected Iday.
"Be exacting! Don't be foolish! He must be made to obey while he's
only engaged, for after he's your husband he'll do as he pleases,"
counseled little Sinang.
"What do you know about that, child?" her cousin Victoria corrected
her.
"Sst! Keep quiet, for here they come!"
A group of young men, lighting their way with large bamboo torches,
now came up, marching gravely along to the sound of a guitar.
"It sounds like a beggar's guitar," laughed Sinang. When the two
parties met it was the women who maintained a serious and formal
attitude, just as if they had never known how to laugh, while on the
other hand the men talked and laughed, asking six questions to get
half an answer.
"Is the lake calm? Do you think we'll have good weather?" asked
the mothers.
"Don't be alarmed, ladies, I know how to swim well," answered a tall,
thin, emaciated youth.
"We ought to have heard mass first," sighed Aunt Isabel, clasping
her hands.
"There's yet time, ma'am. Albino has been a theological student in
his day and can say it in the boat," remarked another youth, pointing
to the tall, thin one who had first spoken. The latter, who had a
clownish countenance, threw himself into an attitude of contrition,
caricaturing Padre Salvi. Ibarra, though he maintained his serious
demeanor, also joined in the merriment.
When they arrived at the beach, there involuntarily escaped from
the women exclamations of surprise and pleasure at the sight of
two large bankas fastened together and picturesquely adorned with
garlands of flowers, leaves, and ruined cotton of many colors. Little
paper lanterns hung from an improvised canopy amid flowers and
fruits. Comfortable seats with rugs and cushions for the women had
been provided by Ibarra. Even the paddles and oars were decorated,
while in the more profusely decorated banka were a harp, guitars,
accordions, and a trumpet made from a carabao horn. In the other banka
fires burned on the clay _kalanes_ for preparing refreshments of tea,
coffee, and _salabat_.
"In this boat here the women, and in the other there the men," ordered
the mothers upon embarking. "Keep quiet! Don't move about so or we'll
be upset."
"Cross yourself first," advised Aunt Isabel, setting the example.
"Are we to be here all alone?" asked Sinang with a grimace. "Ourselves
alone?" This question was opportunely answered by a pinch from
her mother.
Public-domain text, read in full here on John Shaqi.
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