The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
"They say that on a very rainy day in September the alferez met a man
who was carrying a bundle of firewood. The road was very muddy and
there was only a narrow path at the side, wide enough for but one
person. They say that the alferez, instead of reining in his pony,
put spurs to it, at the same time calling to the man to get out
of the way. It seemed that this man, on account of the heavy load
he was carrying on his shoulder, had little relish for going back
nor did he want to be swallowed up in the mud, so he continued on
his way forward. The alferez in irritation tried to knock him down,
but he snatched a piece of wood from his bundle and struck the pony
on the head with such great force that it fell, throwing its rider
into the mud. They also say that the man went on his way tranquilly
without taking any notice of the five bullets that were fired after
him by the alferez, who was blind with mud and rage. As the man was
entirely unknown to him it was supposed that he might be the famous
Elias who came to the province several months ago, having come from
no one knows where. He has given the Civil Guard cause to know him
in several towns for similar actions."
"Then he's a tulisan?" asked Victoria shuddering.
"I don't think so, for they say that he fought against some tulisanes
one day when they were robbing a house."
"He hasn't the look of a criminal," commented Sinang.
"No, but he looks very sad. I didn't see him smile the whole morning,"
added Maria Clara thoughtfully.
So the afternoon passed away and the hour for returning to the
town came. Under the last rays of the setting sun they left
the woods, passing in silence by the mysterious tomb of Ibarra's
ancestors. Afterwards, the merry talk was resumed in a lively manner,
full of warmth, beneath those branches so little accustomed to hear
so many voices. The trees seemed sad, while the vines swung back and
forth as if to say, "Farewell, youth! Farewell, dream of a day!"
Now in the light of the great red torches of bamboo and with the
sound of the guitars let us leave them on the road to the town. The
groups grow smaller, the lights are extinguished, the songs die away,
and the guitar becomes silent as they approach the abodes of men. Put
on the mask now that you are once more amongst your kind!
CHAPTER XXV
In the House of the Sage
On the morning of the following day, Ibarra, after visiting his lands,
made his way to the home of old Tasio. Complete stillness reigned in
the garden, for even the swallows circling about the eaves scarcely
made any noise. Moss grew on the old wall, over which a kind of ivy
clambered to form borders around the windows. The little house seemed
to be the abode of silence.
Public-domain text, read in full here on John Shaqi.
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