The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
In the streets are raised at intervals fanciful bamboo arches, known as
_sinkában_, constructed in various ways and adorned with _kaluskús_,
the curling bunches of shavings scraped on their sides, at the sight
of which alone the hearts of the children rejoice. About the front
of the church, where the procession is to pass, is a large and costly
canopy upheld on bamboo posts. Beneath this the children run and play,
climbing, jumping, and tearing the new camisas in which they should
shine on the principal day of the fiesta.
There on the plaza a platform has been erected, the scenery being
of bamboo, nipa, and wood; there the Tondo comedians will perform
wonders and compete with the gods in improbable miracles, there
will sing and dance Marianito, Chananay, Balbino, Ratia, Carvajal,
Yeyeng, Liceria, etc. The Filipino enjoys the theater and is a deeply
interested spectator of dramatic representations, but he listens in
silence to the song, he gazes delighted at the dancing and mimicry,
he never hisses or applauds.
If the show is not to his liking, he chews his buyo or withdraws
without disturbing the others who perhaps find pleasure in it. Only
at times the commoner sort will howl when the actors embrace or kiss
the actresses, but they never go beyond that. Formerly, dramas only
were played; the local poet composed a piece in which there must
necessarily be a fight every second minute, a clown, and terrifying
transformations. But since the Tondo artist have begun to fight every
fifteen seconds, with two clowns, and even greater marvels than before,
they have put to rout their provincial compeers. The gobernadorcillo
was very fond of this sort of thing, so, with the approval of the
curate, he chose a spectacle with magic and fireworks, entitled, "The
Prince Villardo or the Captives Rescued from the Infamous Cave." [78]
From time to time the bells chime out merrily, those same bells that
ten days ago were tolling so mournfully. Pin-wheels and mortars rend
the air, for the Filipino pyrotechnist, who learned the art from
no known instructor, displays his ability by preparing fire bulls,
castles of Bengal lights, paper balloons inflated with hot air, bombs,
rockets, and the like.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account