The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
"Bring your friends along," replied Capitan Tiago heartily. "In my
house there's always plenty to eat. Also, I want you and Padre Damaso
to get on good terms."
"There'll be time enough for that," answered Ibarra with a forced
smile, as he prepared to accompany the girls.
They went downstairs, Maria Clara in the center between Victoria
and Iday, Aunt Isabel following. The people made way for them
respectfully. Maria Clara was startling in her beauty; her pallor
was all gone, and if her eyes were still pensive, her mouth on the
contrary seemed to know only smiles. With maiden friendliness the
happy young woman greeted the acquaintances of her childhood, now
the admirers of her promising youth. In less than a fortnight she had
succeeded in recovering that frank confidence, that childish prattle,
which seemed to have been benumbed between the narrow walls of the
nunnery. It might be said that on leaving the cocoon the butterfly
recognized all the flowers, for it seemed to be enough for her to
spread her wings for a moment and warm herself in the sun's rays to
lose all the stiffness of the chrysalis. This new life manifested
itself in her whole nature. Everything she found good and beautiful,
and she showed her love with that maiden modesty which, having never
been conscious of any but pure thoughts, knows not the meaning of false
blushes. While she would cover her face when she was teased, still her
eyes smiled, and a light thrill would course through her whole being.
The houses were beginning to show lights, and in the streets where
the music was moving about there were lighted torches of bamboo and
wood made in imitation of those in the church. From the streets
the people in the houses might be seen through the windows in an
atmosphere of music and flowers, moving about to the sounds of piano,
harp, or orchestra. Swarming in the streets were Chinese, Spaniards,
Filipinos, some dressed in European style, some in the costumes
of the country. Crowding, elbowing, and pushing one another, walked
servants carrying meat and chickens, students in white, men and women,
all exposing themselves to be knocked down by the carriages which,
in spite of the drivers' cries, made their way with difficulty.
In front of Capitan Basilio's house some young women called to our
acquaintances and invited them to enter. The merry voice of Sinang as
she ran down the stairs put an end to all excuses. "Come up a moment
so that I may go with you," she said. "I'm bored staying here among
so many strangers who talk only of game-cocks and cards."
They were ushered into a large room filled with people, some of whom
came forward to greet Ibarra, for his name was now well known. All
gazed in ecstasy at the beauty of Maria Clara and some old women
murmured, as they chewed their buyo, "She looks like the Virgin!"
Public-domain text, read in full here on John Shaqi.
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