The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
San Diego de Alcala was borne on a float adorned with plates of
repoussé silver. The saint, though rather thin, had an ivory bust
which gave him a severe and majestic mien, in spite of abundant kingly
bangs like those of the Negrito. His mantle was of satin embroidered
with gold.
Our venerable father, St. Francis, followed the Virgin as on yesterday,
except that the priest under the canopy this time was Padre Salvi
and not the graceful Padre Sibyla, so refined in manner. But if the
former lacked a beautiful carriage he had more than enough unction,
walking half bent over with lowered eyes and hands crossed in mystic
attitude. The bearers of the canopy were the same cabezas de barangay,
sweating with satisfaction at seeing themselves at the same time
semi-sacristans, collectors of the tribute, redeemers of poor erring
humanity, and consequently Christs who were giving their blood for
the sins of others. The surpliced coadjutor went from float to float
carrying the censer, with the smoke from which he from time to time
regaled the nostrils of the curate, who then became even more serious
and grave.
So the procession moved forward slowly and deliberately to the
sound of bombs, songs, and religious melodies let loose into the
air by bands of musicians that followed the floats. Meanwhile,
the _hermano mayor_ distributed candles with such zeal that many of
the participants returned to their homes with light enough for four
nights of card-playing. Devoutly the curious spectators knelt at the
passage of the float of the Mother of God, reciting Credos and Salves
fervently. In front of a house in whose gaily decorated windows were
to be seen the alcalde, Capitan Tiago, Maria Clara, and Ibarra, with
various Spaniards and young ladies, the float was detained. Padre
Salvi happened to raise his eyes, but made not the slightest movement
that might have been taken for a salute or a recognition of them. He
merely stood erect, so that his cope fell over his shoulders more
gracefully and elegantly.
In the street under the window was a young woman of pleasing
countenance, dressed in deep mourning, carrying in her arms a young
baby. She must have been a nursemaid only, for the child was white
and ruddy while she was brown and had hair blacker than jet. Upon
seeing the curate the tender infant held out its arms, laughed with
the laugh that neither causes nor is caused by sorrow, and cried out
stammeringly in the midst of a brief silence, "Pa-pa! Papa! Papa!" The
young woman shuddered, slapped her hand hurriedly over the baby's
mouth and ran away in dismay, with the baby crying.
Malicious ones winked at each other, and the Spaniards who had
witnessed the short scene smiled, while the natural pallor of Padre
Salvi changed to the hue of poppies. Yet the people were wrong,
for the curate was not acquainted with the woman at all, she being
a stranger in the town.
CHAPTER XXX
In the Church
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account