The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
If this were not sufficient to sustain my belief, there yet
remains the argument, disputed by no one and day by day confirmed,
that these mysterious beings could make God descend to earth merely
by saying a few words, that God could speak only through their mouths,
that they ate His flesh and drank His blood, and even at times allowed
the common folk to do the same.'"
These and other opinions the skeptical Sage put into the mouths of
all the corrupt men of the future. Perhaps, as may easily be the case,
old Tasio was mistaken, but we must return to our story.
In the kiosks which we saw two days ago occupied by the schoolmaster
and his pupils, there was now spread out a toothsome and abundant
meal. Noteworthy is the fact that on the table prepared for the school
children there was not a single bottle of wine but an abundance of
fruits. In the arbors joining the two kiosks were the seats for the
musicians and a table covered with sweetmeats and confections, with
bottles of water for the thirsty public, all decorated with leaves
and flowers. The schoolmaster had erected near by a greased pole and
hurdles, and had hung up pots and pans for a number of games.
The crowd, resplendent in bright-colored garments, gathered as people
fled from the burning sun, some into the shade of the trees, others
under the arbor. The boys climbed up into the branches or on the stones
in order to see the ceremony better, making up in this way for their
short stature. They looked with envy at the clean and well-dressed
school children, who occupied a place especially assigned to them and
whose parents were overjoyed, as they, poor country folk, would see
their children eat from a white tablecloth, almost the same as the
curate or the alcalde. Thinking of this alone was enough to drive
away hunger, and such an event would be recounted from father to son.
Soon were heard the distant strains of the band, which was preceded
by a motley throng made up of persons of all ages, in clothing of
all colors. The yellowish individual became uneasy and with a glance
examined his whole apparatus. A curious countryman followed his glance
and watched all his movements; this was Elias, who had also come to
witness the ceremony, but in his salakot and rough attire he was almost
unrecognizable. He had secured a very good position almost at the side
of the windlass, on the edge of the excavation. With the music came
the alcalde, the municipal officials, the friars, with the exception
of Padre Damaso, and the Spanish employees. Ibarra was conversing with
the alcalde, of whom he had made quite a friend since he had addressed
to him some well-turned compliments over his decorations and ribbons,
for aristocratic pretensions were the weakness of his Honor. Capitan
Tiago, the alferez, and some other wealthy personages came in the
gilded cluster of maidens displaying their silken parasols. Padre
Salvi followed, silent and thoughtful as ever.
Public-domain text, read in full here on John Shaqi.
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