The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
Then there might have been seen repairing those streets the lines of
convicts with their shaven heads, dressed in short-sleeved camisas
and pantaloons that reached only to their knees, each with his letter
and number in blue. On their legs were chains partly wrapped in dirty
rags to ease the chafing or perhaps the chill of the iron. Joined
two by two, scorched in the sun, worn out by the heat and fatigue,
they were lashed and goaded by a whip in the hands of one of their own
number, who perhaps consoled himself with this power of maltreating
others. They were tall men with somber faces, which he had never seen
brightened with the light of a smile. Yet their eyes gleamed when the
whistling lash fell upon their shoulders or when a passer-by threw
them the chewed and broken stub of a cigar, which the nearest would
snatch up and hide in his salakot, while the rest remained gazing at
the passers-by with strange looks.
The noise of the stones being crushed to fill the puddles and the
merry clank of the heavy fetters on the swollen ankles seemed to remain
with Ibarra. He shuddered as he recalled a scene that had made a deep
impression on his childish imagination. It was a hot afternoon, and the
burning rays of the sun fell perpendicularly upon a large cart by the
side of which was stretched out one of those unfortunates, lifeless,
yet with his eyes half opened. Two others were silently preparing
a bamboo bier, showing no signs of anger or sorrow or impatience,
for such is the character attributed to the natives: today it is you,
tomorrow it will be I, they say to themselves. The people moved rapidly
about without giving heed, women came up and after a look of curiosity
continued unconcerned on their way--it was such a common sight that
their hearts had become callous. Carriages passed, flashing back from
their varnished sides the rays of the sun that burned in a cloudless
sky. Only he, a child of eleven years and fresh from the country, was
moved, and to him alone it brought bad dreams on the following night.
There no longer existed the useful and honored _Puente de Barcas_, the
good Filipino pontoon bridge that had done its best to be of service
in spite of its natural imperfections and its rising and falling
at the caprice of the Pasig, which had more than once abused it and
finally destroyed it. The almond trees in the plaza of San Gabriel
[46] had not grown; they were still in the same feeble and stunted
condition. The Escolta appeared less beautiful in spite of the fact
that an imposing building with caryatids carved on its front now
occupied the place of the old row of shops. The new Bridge of Spain
caught his attention, while the houses on the right bank of the river
among the clumps of bamboo and trees where the Escolta ends and the
Isla de Romero begins, reminded him of the cool mornings when he used
to pass there in a boat on his way to the baths of Uli-Uli.
Public-domain text, read in full here on John Shaqi.
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