The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
The carriage continued on its way, meeting now and then carromatas
drawn by one or two ponies whose abaka harness indicated that they
were from the country. The drivers would try to catch a glimpse of the
occupant of the fine carriage, but would pass on without exchanging a
word, without a single salute. At times a heavy cart drawn by a slow
and indifferent carabao would appear on the dusty road over which beat
the brilliant sunlight of the tropics. The mournful and monotonous song
of the driver mounted on the back of the carabao would be mingled at
one time with the screechings of a dry wheel on the huge axle of the
heavy vehicle or at another time with the dull scraping of worn-out
runners on a sledge which was dragged heavily through the dust, and
over the ruts in the road. In the fields and wide meadows the herds
were grazing, attended ever by the white buffalo-birds which roosted
peacefully on the backs of the animals while these chewed their cuds
or browsed in lazy contentment upon the rich grass. In the distance
ponies frisked, jumping and running about, pursued by the lively colts
with long tails and abundant manes who whinnied and pawed the ground
with their hard hoofs.
Let us leave the youth dreaming or dozing, since neither the sad
nor the animated poetry of the open country held his attention. For
him there was no charm in the sun that gleamed upon the tops of the
trees and caused the rustics, with feet burned by the hot ground in
spite of their callousness, to hurry along, or that made the villager
pause beneath the shade of an almond tree or a bamboo brake while he
pondered upon vague and inexplicable things. While the youth's carriage
sways along like a drunken thing on account of the inequalities in
the surface of the road when passing over a bamboo bridge or going
up an incline or descending a steep slope, let us return to Manila.
CHAPTER IX
Local Affairs
Ibarra had not been mistaken about the occupant of the victoria,
for it was indeed Padre Damaso, and he was on his way to the house
which the youth had just left.
"Where are you going?" asked the friar of Maria Clara and Aunt Isabel,
who were about to enter a silver-mounted carriage. In the midst of
his preoccupation Padre Damaso stroked the maiden's cheek lightly.
"To the convent to get my things," answered the latter.
"Ahaa! Aha! We'll see who's stronger, we'll see," muttered the friar
abstractedly, as with bowed head and slow step he turned to the
stairway, leaving the two women not a little amazed.
"He must have a sermon to preach and is memorizing it," commented
Aunt Isabel. "Get in, Maria, or we'll be late."
Whether or not Padre Damaso was preparing a sermon we cannot say,
but it is certain that some grave matter filled his mind, for he did
not extend his hand to Capitan Tiago, who had almost to get down on
his knees to kiss it.
"Santiago," said the friar at once, "I have an important matter to
talk to you about. Let's go into your office."
Public-domain text, read in full here on John Shaqi.
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