The Social Cancer: A Complete English Version of Noli Me TangereRizal, José
History
The Social Cancer: A Complete English Version of Noli Me Tangere
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
As we have said, Fray Salvi was very assiduous in the fulfilment of his
duties, too assiduous, the alferez thought. While he was preaching--he
was very fond of preaching--the doors of the church were closed,
wherein he was like Nero, who allowed no one to leave the theater while
he was singing. But the former did it for the salvation and the latter
for the corruption of souls. Fray Salvi rarely resorted to blows,
but was accustomed to punish every shortcoming of his subordinates
with fines. In this respect he was very different from Padre Damaso,
who had been accustomed to settle everything with his fists or a cane,
administering such chastisement with the greatest good-will. For this,
however, he should not be judged too harshly, as he was firm in the
belief that the Indian could be managed only by beating him, just
as was affirmed by a friar who knew enough to write books, and Padre
Damaso never disputed anything that he saw in print, a credulity of
which many might have reason to complain. Although Fray Salvi made
little use of violence, yet, as an old wiseacre of the town said,
what he lacked in quantity he made up in quality. But this should
not be counted against him, for the fasts and abstinences thinned his
blood and unstrung his nerves and, as the people said, the wind got
into his head. Thus it came about that it was not possible to learn
from the condition of the sacristans' backs whether the curate was
fasting or feasting.
The only rival of this spiritual power, with tendencies toward the
temporal, was, as we have said, the alferez: the only one, since the
women told how the devil himself would flee from the curate, because,
having one day dared to tempt him, he was caught, tied to a bedpost,
soundly whipped with a rope, and set at liberty only after nine
days. As a consequence, any one who after this would still be the
enemy of such a man, deserved to fall into worse repute than even
the weak and unwary devils.
But the alferez deserved his fate. His wife was an old Filipina of
abundant rouge and paint, known as Doña Consolacion--although her
husband and some others called her by quite another name. The alferez
revenged his conjugal misfortunes on his own person by getting so
drunk that he made a tank of himself, or by ordering his soldiers to
drill in the sun while he remained in the shade, or, more frequently,
by beating up his consort, who, if she was not a lamb of God to
take away one's sins, at least served to lay up for her spouse many
torments in Purgatory--if perchance he should get there, a matter of
doubt to the devout women. As if for the fun of it, these two used to
beat each other up beautifully, giving free shows to the neighborhood
with vocal and instrumental accompaniments, four-handed, soft, loud,
with pedal and all.
Public-domain text, read in full here on John Shaqi.
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