There is a tradition that Queen Elizabeth herself once smoked--with unpleasant results. Campbell, in his "History of Virginia," says that Raleigh having offered her Majesty "some tobacco to smoke, after two or three whiffs she was seized with a nausea, upon observing which some of the Earl of Leicester's faction whispered that Sir Walter had certainly poisoned her. But her Majesty in a short while recovering made the countess of Nottingham and all her maids smoke a whole pipe out among them." The Queen had no selfish desire to monopolize the novel sensations caused by smoking. An eighteenth-century writer, Oldys, in his "Life of Sir Walter Raleigh," declares that tobacco "soon became of such vogue in Queen Elizabeth's court, that some of the great ladies, as well as noblemen therein, would not scruple to take a pipe sometimes very sociably." But these stories rest on vague tradition, and probably have no foundation in fact. King James I in his famous "Counter-blaste to Tobacco," hinted that the husband, by his indulgence in the habit, might "reduce thereby his delicate, wholesome, and cleane complexioned wife to that extremitie, that either shee must also corrupt her sweete breath therewith, or else resolve to live in a perpetuall stinking torment." His Majesty's style was forcible, if not elegant. There are also one or two references in the early dramatists. In Ben Jonson's "Every Man in his Humour," for instance, which was first acted in 1598, six years before King James blew his royal "Counter-blaste," Cob, the water-bearer, says that he would have any "man or woman that should but deal with a tobacco-pipe," immediately whipped. Prynne, in his attack on the stage, declared that women smoked pipes in theatres; but the truth of this statement may well be doubted. The habit was probably far from general among women, although Joshua Sylvester, a doughty opponent of the weed, was pleased to declare that "Fooles of all Sexes haunt it," _i.e._ tobacco. The ballads of the period abound in rough woodcuts in which tavern scenes are often figured, wherein pewter pots and tobacco-pipes are shown lying on the table or in the hands or at the mouths of the male carousers. Men and women are figured together, but it would be very hard to find a woman in one of these rough cuts with a pipe in her hand or at her mouth. An example, in the "Shirburn Ballads" lies before me. The cut, which is very rough, heads a bacchanalian ballad characteristic of the Elizabethan period, called "A Knotte of Good Fellows," and beginning: _Come hither, mine host, come hither! Come hither, mine host, come hither! I pray thee, mine host, Give us a pot and a tost, And let us drinke all together._