The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
consent to another penny on the Income Tax to help the poor? That's
Capital! A white-faced, stony-hearted monster! Ye have got it on its
knees; are ye to give up at the last minute to save your miserable
bodies pain? When I went this morning to those old men from London,
I looked into their very 'earts. One of them was sitting there--Mr.
Scantlebury, a mass of flesh nourished on us: sittin' there for all
the world like the shareholders in this Company, that sit not moving
tongue nor finger, takin' dividends--a great dumb ox that can only
be roused when its food is threatened. I looked into his eyes and I
saw _he was afraid_--afraid for himself and his dividends, afraid
for his fees, afraid of the very shareholders he stands for; and all
but one of them's afraid--like children that get into a wood at
night, and start at every rustle of the leaves. I ask you, men--give
me a free hand to tell them: "Go you back to London. The men have
nothing for you!" Give, me that, and I swear to you, within a week
you shall have from London all you want. 'Tis not for this little
moment of time we're fighting, not for _ourselves_, our own little
bodies, and their wants, 'tis for all those that come after
throughout all time. Oh! men--for the love o' them, don't roll up
another stone upon their heads, don't help to blacken the sky, an'
let the bitter sea in over them. They're welcome to the worst that
can happen to me, to the worst that can happen to us all, aren't
they--aren't they? If we can shake the white-faced monster with the
bloody lips, that has sucked the life out of ourselves, our wives,
and children, since the world began. If we have not the hearts of
men to stand against it breast to breast, and eye to eye, and force
it backward till it cry for mercy, it will go on sucking life; and
we shall stay forever what we are, less than the very dogs.
Consistency is the greatest crime of our commercial age. No matter how
intense the spirit or how important the man, the moment he will not
allow himself to be used or sell his principles, he is thrown on the
dust heap. Such is the fate of _Anthony_, the President of the Company,
and of _David Roberts_. To be sure they represent opposite poles--poles
antagonistic to each other, poles divided by a terrible gap that can
never be bridged over. Yet they share a common fate. _Anthony_ is the
embodiment of conservatism, of old ideas, of iron methods:
Public-domain text, read in full here on John Shaqi.
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