The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
_Vanna._ I felt a change, too.... I marveled that I could speak to
you as I have spoken since the first moment.... I am silent by
nature--I have never spoken thus to any man, unless it be to Marco,
Guido's father.... And even with him it is not the same. He has a
thousand dreams that take up all his mind, ... and we have talked
but a few times. The others have always a desire in their eyes that
will not suffer one to tell them that one loves them and would fain
know what they have in their hearts. In your eyes, too, a longing
burns; but it is not the same--it does not affright me nor fill me
with loathing. I felt at once that I knew you before I remembered
that I had ever seen you....
_Vanna_, awed by the character and personality of this despised and
hated outlaw, pleads with him to come with her to Pisa under the
protection of herself and her husband. She is sure that he will be safe
with them, and that he will be hailed as the redeemer of the people of
Pisa. Like innocent children they walk to their doom.
_Vanna_ is honored by the people whom she has saved, but scorned by her
husband who, like the true male, does not credit her story.
_Vanna._ Hear me, I say! I have never lied--but to-day, above all
days, I tell the deepest truth, the truth that can be told but once
and brings life or death.... Hearken, Guido, then--and look upon me,
if you have never known me until this hour, the first and only hour
when you have it in your power to love me as I would be loved. I
speak in the name of our life, of all that I am, of all that you are
to me.... Be strong enough to believe that which is incredible. This
man has spared my honor.... He had all power--I was given over to
him. Yet he has not touched me--I have issued from his tent as I
might from my brother's house.... I gave him one only kiss upon the
brow--and he gave it me again.
Public-domain text, read in full here on John Shaqi.
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