The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
But leave it to the _pheasant hen_ to ferret out a secret. Overhearing
_Chantecler's_ conversation with the _woodpecker_, she is furious. "I
will not let the sun defraud me of my love," she cries. But _Chantecler_
replies, "There is no great love outside of the shadow of the ideal."
She makes use of her beauty and charm to win him from the sun. She
embraces him and pleads, "Come to my soft bosom. Why need you bother
about the sun?"
_Chantecler_ hears the nightingale and, like all great artists, he
recognizes her wonderful voice, her inspiring powers compared with which
his own must seem hard and crude. Suddenly a shot is heard, and the
little bird falls dead to the ground. _Chantecler_ is heart-broken. And
as he mourns the sweet singer, the dawn begins to break. The _pheasant
hen_ covers him with her wing, to keep him from seeing the sun rise, and
then mocks him because the sun has risen without his crowing. The shock
is terrible to poor _Chantecler_, yet in his desperation he gives one
tremendous cock-a-doodle-do.
"Why are you crowing?" the hen asks.
"As a warning to myself, for thrice have I denied the thing I love."
_Chantecler_ is in despair. But now he hears another Nightingale, more
silvery and beautiful than the first. "Learn, comrade, this sorrowful
and reassuring fact, that no one, Cock of the morning or evening
nightingale, has quite the song of his dreams."
A wonderful message, for there must always be "in the soul a faith so
faithful that it comes back even after it has been slain." It Is vital
to understand that it is rather the consciousness that though we cannot
wake the dawn, we must prepare the people to greet the rising sun.
BRIEUX
DAMAGED GOODS
In the preface to the English edition of "Damaged Goods," George Bernard
Shaw relates a story concerning Lord Melbourne, in the early days of
Queen Victoria. When the cabinet meeting threatened to break up in
confusion, Lord Melbourne put his back to the door and said: "Gentlemen,
we can tell the house the truth or we can tell it a lie. I don't give a
damn which it is. All I insist on is that we shall all tell the same
lie, and you shall not leave the room until you have settled what it is
to be."
This seems to characterize the position of our middle-class morality
to-day. Whether a thing be right or wrong, we are all to express the
same opinion on the subject. All must agree on the same lie, and the lie
upon which all agree, more than on any other, is the lie of purity,
which must be kept up at all costs.
How slow our moralists move is best proved by the fact that although the
great scientist Neisser had discovered, as far back as 1879, that
supposedly insignificant venereal afflictions are due to a malignant
micro-organism often disastrous not only to the immediate victim, but
also to those who come in touch with him, the subject is still largely
tabooed and must not be discussed.
Public-domain text, read in full here on John Shaqi.
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