The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
The poor man, in his ignorance, did not know that "these women" are the
most victimized, as demonstrated by the doctor himself in the case of
the poor girl of the street. She was both ignorant and innocent when she
found a place as domestic servant and was seduced by her master. Then
she was kicked out into the street, and in her endless search for work
found every door closed in her face. She was compelled to stifle her
feeling of motherhood, to send her baby to a foundling asylum, and
finally, in order to exist, become a street-walker. If in return she
infected the men who came to her, including her erstwhile seducer, she
was only paying back in a small measure what society had done to
her,--the injury, the bitterness, the misery and tears heaped upon her
by a cruel and self-satisfied world.
It is to be expected that a political representative of the people like
_Loche_ should suggest the same stereotyped measures as his
predecessors: legal enactments, prosecution, imprisonment. But the
doctor, a real social student, knows that "the true remedy lies in a
change of our ways."
_Doctor._ Syphilis must cease to be treated like a mysterious evil,
the very name of which cannot be pronounced.... People ought to be
taught that there is nothing immoral in the act that reproduces life
by means of love. But for the benefit of our children we organize
round about it a gigantic conspiracy of silence. A respectable man
will take his son and daughter to one of these grand music halls,
where they will hear things of the most loathsome description; but
he won't let them hear a word spoken seriously on the subject of the
great act of love. The mystery and humbug in which physical facts
are enveloped ought to be swept away and young men be given some
pride in the creative power with which each one of us is endowed.
In other words, what we need is more general enlightenment, greater
frankness and, above all, different social and economic conditions. The
revolutionary significance of "Damaged Goods" consists in the lesson
that not syphilis but the causes that lead to it are the terrible curse
of society. Those who rant against syphilis and clamor for more laws,
for marriage certificates, for registration and segregation, do not
touch even the surface of the evil. Brieux is among the very few modern
dramatists who go to the bottom of this question by insisting on a
complete social and economic change, which alone can free us from the
scourge of syphilis and other social plagues.
MATERNITY
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