The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
To-day no one of the least intelligence denies the cruelty, the
injustice, the outrage of such a state of affairs, any more than it is
being denied that the training of woman as a sex commodity has left her
any other source of income except to sell herself to one man within
marriage or to many men outside of marriage. Only bigots and
inexperienced girls like _Vivian_ can say that "everybody has some
choice. The poorest girl alive may not be able to choose between being
Queen of England or Principal of Newnham; but she can choose between
rag-picking and flower-selling, according to her taste."
It is astonishing how little education and college degrees teach people.
Had _Vivian_ been compelled to shift for herself, she would have
discovered that neither rag-picking nor flower-selling brings enough to
satisfy one's "taste." It is not a question of choice, but of necessity,
which is the determining factor in most people's lives.
When Shaw flung _Mrs. Warren_ into the smug midst of society, even the
educated Vivians knew little of the compelling force which whips
thousands of women into prostitution. As to the ignorant, their minds
are a mental and spiritual desert. Naturally the play caused
consternation. It still continues to serve as the red rag to the social
bull. "Mrs. Warren's Profession" infuriates because it goes to the
bottom of our evils; because it places the accusing finger upon the
sorest and most damnable spot in our social fabric--sex as woman's only
commodity in the competitive market of life. "An immoral and heretical
play," indeed, of very deep social significance.
MAJOR BARBARA
"Major Barbara" is of still greater social importance, inasmuch as it
points to the fact that while charity and religion are supposed to
minister to the poor, both institutions derive their main revenue from
the poor by the perpetuation of the evils both pretend to fight.
_Major Barbara_, the daughter of the world renowned cannon manufacturer
_Undershaft_, has joined the Salvation Army. The latter lays claim to
being the most humane religious institution, because--unlike other soul
savers--it does not entirely forget the needs of the body. It also
teaches that the greater the sinner the more glorious the saving. But as
no one is quite as black as he is painted, it becomes necessary for
those who want to be saved, and incidentally to profit by the Salvation
Army, to invent sins--the blacker the better.
_Rummy._ What am I to do? I can't starve. Them Salvation lasses is
dear girls; but the better you are the worse they likes to think you
were before they rescued you. Why shouldn't they 'av' a bit o'
credit, poor loves? They're worn to rags by their work. And where
would they get the money to rescue us if we was to let on we're no
worse than other people? You know what ladies and gentlemen are.
_Price._ Thievin' swine!... We're companions in misfortune,
Rummy....
_Rummy._ Who saved you, Mr. Price? Was it Major Barbara?
Public-domain text, read in full here on John Shaqi.
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