The soldier's orphansStephens, Ann S. (Ann Sophia)
General
The soldier's orphans
Stephens, Ann S. (Ann Sophia)
American fiction -- 19th century
Thus Mrs. Savage wandered in her thoughts as she closed her son’s note.
She had received a hard blow, but women like her do not spend much time
in recrimination when work is to be done.
“I will go at once,” she thought. “This may be nothing serious, after
all; Horace is so generous, and he knew of their poverty. This may only
be one of his private charities, which the old maid has tortured into a
love romance.”
Mrs. Savage followed out these thoughts by ringing for her maid, and
ordering her shawl and bonnet to be brought down; but the girl had
hardly left the room when a servant came from the hall, and inquired if
Mrs. Savage could spare a minute to the young person who came so often
about the fine sewing?
“Let her come up—let her come up,” answered the lady, in eager haste.
“Mary, you need not get the things; I shall not go out just now.”
Anna Burns came into the room softly as a tear falls. She was pale, and
a sad sweetness made her face touchingly lovely.
“I have brought the work home,” she said, laying a roll of embroidered
muslin on the table, and leaning against the marble for support.
“And—and I have come to say that grandmother does not think it best that
I should take any more.”
Anna’s voice shook, and the woman who listened knew that it trembled
through suppressed tears.
“Why do you give up work?” she inquired, with unconscious sympathy in
her voice.
“I—I——Because grandmother thinks it best. Carrying home the work takes
me a good deal into the street, and she does not think that good for
me.”
“Your grandmother is a prudent woman. But how are you to live without
work?”
“I don’t know. Perhaps I can find something to do that wont take me away
from home just at present, at least.”
Mrs. Savage took up the roll of work and began to examine it. Woman of
the world as she was, something gentle and good about that girl
prevented her speaking out as she had proposed do. The sad, wistful look
turned upon her bespoke too much sorrow for ungentle handling.
“Sit down,” she said, gently, as if she had been addressing a naughty
child, “I wish to speak with you.”
Anna sat down with a frightened look, and trembling a little as the lady
could see.
“You know my son, Anna Burns?”
“Yes; yes, madam, a little—that is, I did.”
“He has been to your house?”
“To our rooms you mean, lady? Yes, he has been there.”
“More than once?”
“Oh, yes! more than once. We—we did not think there was any harm in it.”
Anna’s eyes were filling with tears; her lips quivered like those of a
grieved child just before it bursts into a cry.
“Did he help you——”
“Madam!”
“Did he give you money? Was it for that he came?”
“Money? Oh! he would not do that. Grandmother is a lady; and no one ever
offers her money, most of all, Mr. Savage.”
Public-domain text, read in full here on John Shaqi.
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