The soldier's orphansStephens, Ann S. (Ann Sophia)
General
The soldier's orphans
Stephens, Ann S. (Ann Sophia)
American fiction -- 19th century
“Well, I’m such a sad, idle creature, and I thought if you would come to
me, sometimes, and help me get through a perfect pyramid of embroidery,
and work that has been accumulating since the year one, I should be so
delighted.”
“I shall be very glad of the work, Miss Halstead, and I thank you
heartily for remembering me.”
“Oh! don’t speak that way. It’s I that ought to thank you! Why, it will
be a perfect treat just to sit and look at anybody as beautiful as you
are.”
“And I shall have that satisfaction over and above the satisfaction of
getting the work, of which I am so very, very glad.”
There was an earnestness in her voice which sobered the volatile
creature who listened. Her life had been such a fairy dream that it was
difficult for her to realize there were such evils as care and poverty
in the world. It seemed so inexplicable to her that this beautiful girl
could come, day after day, in actual contact with them.
“I will try and make it pleasant for you,” she said, more gravely than
she often spoke. “I am a spoiled, selfish girl, but I mean to be good.”
“I think you would find it difficult to be any thing else,” Anna said,
heartily.
“Oh! you don’t know. Aunt Eliza reads me the most frightful lectures; by
the way, she is a sad, catty old maid; but don’t you mind her.”
Then she began talking with her accustomed volubility; and it was as
bewitching to poor, lonely Anna as the Arabian Nights are to children.
It seemed so strange to have these glimpses at a young life so widely
separated from the clouds that hung over her own youth.
Georgiana Halstead never did things by halves; and in her usual headlong
way, she had plunged into a violent interest for this lovely stranger,
and sat there talking to her as freely as if she had known her half a
life.
“I must be going!” she exclaimed, at last. “Oh, dear me! I have been out
ages; and Aunt Eliza is waiting for the carriage; how she will scold me!
Then you’ll come, miss? Mayn’t I call you Anna?”
“Indeed you may.”
“Thanks! I like you so much. You are like a picture, or a poem. Now,
please like me.”
“Just as a prisoner might the sunlight!” exclaimed Anna, with
unconscious earnestness.
Georgiana gave her a hearty kiss, and a cordial pressure of the hand.
“Come to-morrow,” she said. “Now wont you?”
Before Anna could answer, there was a knock at the door, which startled
them both—they had been so completely absorbed.
“Who is that?” Georgiana asked.
“Only some of the neighbors, probably,” Anna answered. “Come in,
please.”
The door opened. The girls turned simultaneously toward it, and there
stood Horace Savage.
He advanced without any hesitation, saying,
“Excuse my intrusion, Miss Burns. Ah, Miss Georgiana, this is an
unexpected pleasure.”
The girl’s brow contracted slightly; her quick glance went from one to
the other.
“And to me, also,” she said.
Public-domain text, read in full here on John Shaqi.
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