The soldier's orphansStephens, Ann S. (Ann Sophia)
General
The soldier's orphans
Stephens, Ann S. (Ann Sophia)
American fiction -- 19th century
“Madam—Miss Halstead!” cried Savage, while his face wore one flush of
indignation.
“I do not wonder that you are astonished,” persisted Miss Eliza. “It was
an insult; no amount of prettiness could excuse it—not that I think the
creature pretty, far from it. Well, this girl, after standing up in one
of the most vulgar, poverty-stricken pictures you ever saw, in her real
dress, and character, too, flaunted herself in velvet, and gold, and
jewels, as Rebecca, in a gorgeous tableau, with young Gould as the
Templar. This was directly after our exquisite representation, and, I
dare say, intended to rival it. Well, somehow, Georgiana, who is always
doing childish things, got acquainted with the girl then and there,
behind the scenes, I believe, where the artful thing had pretended to
faint.”
“Oh! Miss Halstead, this is too much!” exclaimed Savage, starting up
with anger in his eyes.
“I thought that you would feel this keenly, knowing how nearly
Georgiana, foolish child, is related to myself,” resumed Miss Eliza,
with great self-complacency. “And this generous indignation touches me
to the heart. Oh! it is so sweet to be thoroughly appreciated. But this
is not all; Georgiana was full of this girl’s praises, pitied her, raved
about her beauty-beauty, indeed! but that was to annoy me—the silliness
of youth is often very malicious; and at last went off to the horrid
place where this creature lives, in defiance of my wishes, in absolute
scorn of my opinion. This very day she visited this disreputable
creature in her garret, as if she had been an equal.”
“Disreputable!” repeated Savage, starting up, pale with suppressed
wrath. “Miss Halstead, I cannot listen to this. I, too, have visited the
young lady you condemn so bitterly.”
“Young lady, Mr. Savage! and to me!” faltered Miss Eliza, with a flame
of natural color overpowering the permanent roses of her cheek. “Great
heavens! to me!”
“Yes, Miss Halstead, I said lady; and that Miss Anna Burns certainly is,
if one ever lived.”
Miss Eliza grew livid about her mouth and forehead; even her hands
turned coldly white.
“A lady, and live in that house!” she said, with a snarling laugh.
“Yes, madam; even there.”
“Madam! You call me madam—you!” cried the spinster, burying her face
between both hands. “Has it come to this, and for her sake?”
“Poverty, undeserved poverty does not change a refined nature. That
girl, madam, is good, gentle, intelligent. Her presence would make any
place beautiful.”
“Oh! oh! my heart, my heart!” cried Miss Eliza, pressing both hands to
her side, and rocking to and fro in her chair. “These words pierce me
like a poisoned arrow!”
“Forgive me; I do not wish to be harsh; but this young girl is so
unprotected.”
“Forgive you! Alas! this poor heart has no choice,” cried the lady,
reaching out her arms with touching impulsiveness. “Its fibres are too
delicate; the touch of woe wounds it. With me, forgiveness is a sweet
duty.”
Public-domain text, read in full here on John Shaqi.
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