The Son of Clemenceau, A Novel of Modern Love and LifeDumas, Alexandre
General
The Son of Clemenceau, A Novel of Modern Love and Life
Dumas, Alexandre
Fiction
A few moments were enough for the two to enter the château again, where
their absence had begun to arouse curiosity, though the guests were too
well bred to make general remarks. With the cue that these "slow," tame
gatherings were but the cloak to more important conclaves, Césarine
studied them as never before. It was clear. Here and there were groups
which did not waste a word on the accent of Mademoiselle Delaporte, the
early history of Aimée Derclée, or the latest episode in the stage and
boudoir history of "the Beauty who is also the Stupid Beast." For a
certainty, conspiracy went on here at the gates of the capital; perhaps
from the pretty belvedere, where the large telescope was mounted for
lovers to see Venus, the sons of Mars ascertained where the batteries of
siege guns should be planted to shell Parisian palaces and forts.
Two of a trade never agree, says the wisdom of our ancestors, and from
that time Césarine detested Gratian. If he so easily betrayed his
friends, countrymen and employers for her, what might he not do as
regards her when she was older and her bloom vanished? Better not place
herself under his thumb and be cast off, in some remote, barbarous
region, when the caprice had worn out. But the money! What was this
political league and its aims to her? For her limited education, that of
a refined and expensive toy, she was ignorant of the laws and
regulations governing even herself, and these laws were too subtly
interwoven and inexorable for man alone to have formed them. She did not
suspect the great reasons of the State in setting them in motion to
accomplish collective ends and destinies, whether they wrought good or
evil to individuals. Enough that they were necessary for a dynasty or a
class; but in all cases, the rulers knew why they were made.
Little by little, but without loss of time, her perspicacity penetrated
the disguises, although not to the motives that impelled the plotters.
She centered her thoughts on the old, white-locked pianist, who silently
listened to all the parties and was tolerated even when the piano was
closed; he was taciturn, always blandly smiling and bent in a servile
bow. Nevertheless, this was the principal of the conspirators and even
the viscount-baron treated him with some deference as representing a
formidable power.
One morning, Césarine came over to the marchioness's and took advantage
of the drawing-room being open to be aired, to open the piano and
practice an aria which she had promised at the next soirée. There was
nothing but praise for her singing, and old, retired tenors and obese
soprani had assured her that she had but to have one hearing in the
Opera to be placed among the stars. The aged pianist had often listened
to her vocalism with enraptured gaze, and she believed he, too, was her
slave.
Public-domain text, read in full here on John Shaqi.
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