The Son of Clemenceau, A Novel of Modern Love and LifeDumas, Alexandre
General
The Son of Clemenceau, A Novel of Modern Love and Life
Dumas, Alexandre
Fiction
She drew the curtains and pulled the cord which caused the shade to roll
itself up in each of the three tall windows, before returning to the
table where she had left her now useless lamp. With a half-terrified
look, she began to arrange the pretty little cannon, exquisitely modeled
in nickel and bronze, and miniature shot, shell, chain-shot, etc., which
she handled with a curiosity rather instinctive than studied. In the
midst of her mechanically executed work, she was startled by a gentle
rapping on the plate-glass of a window. The sight of a face in the grey
morning glimmer startled her still more, but, luckily, she recognized
it. After hesitation, she crossed the room in surprise and unbolted the
two sashes, which opened like double doors.
"Hedwig!" said a woman's voice warily speaking, "open to me!"
The girl held the sashes widely apart, muttering:
"The mistress! why the mischief has she come back when we were getting
on so nicely."
But, letting the new-comer pass her, she tried to smoothe her face, and
don the smile as stereotyped in servants as in ballet-dancers, while she
continued the letting in of the daylight to gain time to recover her
countenance.
Césarine threw off a cloak, trimmed with fur, and more suitable for a
colder season, but it was a sable with a sprinkling of isolated white
hairs most peculiar and a present from her granduncle. She tottered and
seemed weak, for she had concluded that an affection of illness would
aid her re-entrance. As Hedwig extinguished the lamp, she sank into an
arm-chair. She curiously glanced around and inhaled with a questioning
flutter of the nostrils the lasting odor of cigars and Burgundy, which
the air retained. In this gloomy apartment where she had often sat
alone, sure not to be disturbed, the suggestion of uproarious jollity
hurt her dignity. A singular way to express sorrow and shame at the loss
of a wife by calling in boon companions! This did not seem like Felix
Clemenceau, sober and austere, thus to drown care in champagne.
"Are you alone, girl?" she inquired, looking round with a powerful
impression that the house had unexpected inmates.
"Yes. No one is up yet in the house," responded Hedwig, sharing her
mistress' uneasiness, though from a less indefinite reason; "at all
events, nobody has come down yet. But how did you see that it was I who
came in here before the shades were drawn up?"
"Well, I had made a little peep-hole to see what my husband and his
fellow conspirator were about, in the time before they shut themselves
up in their studio. But, if it is my turn to put questions," she went on
with some offended dignity, "how is it that the back door is bolted as
well as barred and that I have had to sneak in like a malefactor?"
"If you please, madame, it is the rule to be very careful about
fastening up, since you went away."
"Oh, on the principle of locking the stable-door when the steed--"
Public-domain text, read in full here on John Shaqi.
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