The Son of His Father; vol. 1/3Oliphant, Mrs. (Margaret)
General
The Son of His Father; vol. 1/3
Oliphant, Mrs. (Margaret)
Fathers and sons -- Fiction
such a familiar but long-forgotten sound. He had never heard it since he
came to Edgeley. And why did his grandfather give him no answer to his
question when he asked what he had to do with that name? The wildest
fancies went circling about his brain. Why was his name taken from him?
Who was he? Had he indeed lost both father and mother in those old,
long-forgotten days, or was she--the grave mother of old, the mother who
never played with him or caressed him--was she--could she be after
all--Emily? His heart grew sick at the thought--sick not so much with
repugnance and opposition as with the recollection of how he must have
wounded her, insulted her, if this was so.
He tried next day to get some satisfaction from his grandfather, but
failed entirely. John began by telling the old man that, now he had
found out his real name, he intended to be called no longer John
Sandford, but John May--words which turned Mr. Sandford livid with
horror, and for a moment dumb with passion.
‘You shall do nothing of the sort,’ he cried, ‘unless you want to break
at once and for ever with me.’
‘But, grandfather----’
‘There’s no “but” in the matter. I’ll hear of no “buts.” Dismiss this
nonsense out of your head, or else dismiss yourself out of this house.
Do you hear me, sir? Not another word of it. It shan’t be--I won’t hear
of it. Silence, John! Say another word and I’ll turn you out to the
street. Cast off my name, who have been your guardian all your life, to
take up---- Silence, John! Don’t say another word to me.’
John, indeed, was saying no word. He was gazing at his grandfather with
wide-open, astonished eyes. Never in his life had such words been said
to him before. He was too much astonished to resent them. When the old
man reproached him for his wish to cast off the name which was that of
the tender protector, the only father he had really known, compunction
came quick to the boy’s heart. That was not what he had intended--it had
never entered his thoughts.
‘Grandfather, indeed you do me wrong. I--never thought of that.’
‘How was it you didn’t think of it? Haven’t we done enough for you, my
poor dear and me? What have we not done for you that heart could desire?
And now you want to be shut of us, to clear out, to change your name. I
am glad she’s out of the way not to see it or to hear of it. I’m glad
she’s out of the way.’
‘Grandfather! don’t, for pity’s sake don’t----’
‘Pity!’ said the old man--‘you don’t show much for me. I’m settling
down, my poor old dear in her grave, and the house desolate, and Emily
gone, and nobody left but you and me. And the first day, the very first
day when everything’s over, and I’ve got to face the world again alone,
that’s the time you choose to tell me that you’re going to make a fuss
and disturbance, and take a new name, and set all the village talking.
Set ’em talking and inquiring and putting things together. Oh, I’ll not
have it. I’ll rather clear out myself and go right away.’
Public-domain text, read in full here on John Shaqi.
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