The Son of His Father; vol. 2/3Oliphant, Mrs. (Margaret)
General
The Son of His Father; vol. 2/3
Oliphant, Mrs. (Margaret)
Fathers and sons -- Fiction
‘Come along,’ cried the first. ‘Hi, mate! Don’t you go off to sleep,
it’s dreadful bad for you. Take hold of my arm and come along. They
won’t let you stay quiet here.’
John came up in time to hear some murmurings of this talk. He went
forward briskly, with distinct determination to secure public order and
quiet.
‘What’s the matter?’ he said, in a voice which, though it was
peremptory, was too fresh and cheerful to be terrible. ‘What are you
doing here?’
‘It’s my mate as is uneasy on his legs,’ explained a man, whose face was
not visible, and who did not seem to have much greater command of his
legs than his mate; and he added, hastily, ‘It ain’t drink. A man that
likes his glass as well as ’ere another is my mate, but it’s
strangeness like. He’s’--here he turned round, put his hand before his
mouth, and whispered hoarsely, with alcoholic breath--‘he’s out o’----,
out o’ quod after fourteen year. Lord bless us, it’s you!’
John, too, started a little as the blear face became visible to him in
the wavering light of the lamp, which a brisk air was blowing about. He
had nearly made the same exclamation. He stepped back a pace, and said,
curtly,
‘Yes, it’s me: you had better move on, you and your mate, before the
policeman comes.’
‘Give us a bob,’ said the man, ‘for the sake o’ old times. Lor’, to
think I should ha’ seen you so long ago, and al’ays when I was engaged
in what ye may call a good work. Give us a bob, sir, for luck, and
because what I’m doing is charity. He hasn’t got his legs, poor beggar.
He’s dazed like, and a little drop o’ drink’s done for him. He couldn’t
get no furder. Thinks he’s got home and a-going to turn in and make
himself comfortable; that’s what he thinks.’
And there was a harsh laugh. Of all places to be taken for home, where a
man might make himself comfortable, the steps leading up to that
securely-closed door, to the empty and dark house in which there was
nothing but business, no human habitation, not even the possible succour
of a poor housekeeper--was about the most terrible and extraordinary.
John looked at the almost unconscious figure of the man leaning up
against the door, gaming a certain support from the recess it formed and
the corner of the woodwork, with a pity in which there was a sort of
derision, too. Could any wretchedness and friendlessness be greater than
that which sought refuge in the doorway of an empty, black, and echoing
office? The poorest cottage would have represented something more human.
‘Look here,’ said John, ‘you know as well as I do that he can’t stop
here. Can’t you get him away? Don’t you live somewhere where you can
take him--if--if he’s a friend of yours?’
Public-domain text, read in full here on John Shaqi.
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