The Son of His Father; vol. 3/3Oliphant, Mrs. (Margaret)
General
The Son of His Father; vol. 3/3
Oliphant, Mrs. (Margaret)
Fathers and sons -- Fiction
‘It’s a dreadfully respectable little place,’ he said. ‘Tidy--not a
thing out of order. Could you imagine a comfortable pipe and glass here?
And I know how he would look at me. It makes a difference when it’s a
relation. A poor man off the streets is the sort of thing you can be
kind to without derogation--but not a--father. I’m not the sort of
father for a man. A little boy like my little chap wouldn’t mind; but a
fine, respectable young man! And women don’t mind so much--that is, some
women. How old is your Edie, Montressor, and what sort of a girl?’
‘Sixteen, and an angel,’ said the actor, ‘and dances like one: and she’s
the prop of me house.’
‘Sixteen--you must take me to Edie. Sixteen’s too young to ask many
questions: and when it dances besides! But you’ve got a wife?’
‘She’s an angel too, May.’
‘It’s you that are lucky, Montressor. I wonder if I’ve still got a wife?
She was a sort of an arch-angel, don’t you know, too high-minded, too
grand for the like of me. I wonder if she’s alive. Yes, she must be
alive. Nobody but she would have sent me that money without a word.
Perhaps, Montressor, it’s her he’s gone to consult.’
‘Never mind, me friend. Let’s think no more of them. Let’s go away.’
‘It will be so,’ said May, as if speaking to himself; ‘his mother--that
master of his said. Confound all jealous masters, he will cause me a
deal of trouble getting those things back. Ay, the mother! she’ll tell
him everything, she’ll not spare the old riotous good-for-nothing--his
father!’ Here the voice changed. ‘A father like me,’ he added, ‘isn’t
for a young man, Montressor; you’re right in what you say. I’d do for a
boy, a little fellow like my own little chap. He and I could go away
together where nobody ever heard of us. Get a little farm in the
country, perhaps, and a spade, and--that sort of thing: and the poor
little beggar would never know. But for a man that is respectability
itself, and all that---- No, no, you’re right, Montressor. Take me to
your angel that dances, and the other one--what does she do?--perhaps
she sings.’ He burst forth into a tremulous, broken laugh. ‘Two
angels--instead of my own little chap. You’re right, Montressor. Don’t
let us wait for the poor boy that’s coming back broken-hearted. Who
knows, if I weren’t such a good-for-nothing, if I weren’t such a
reckless fool, I might be broken-hearted too.’
‘Me poor friend!’ the actor cried, ‘as long as I have a roof over me
head, come; it’s but a poor place, but ye’ll be welcome. Montressor’s
door is never shut against trouble and sorrow. And when ye see me Edie
dance--and she’ll dance to ye as if ye were a crowned head--ye’ll
forget everything.’
‘Ah, I’ll forget everything,’ said the other; he added, musing, ‘I’ll do
that easy, whether or no.’
CHAPTER IX.
THE FIRST SHOCK.
Public-domain text, read in full here on John Shaqi.
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