Then she took heart, crossed the street, and made straight for the door
of latticed ironwork, which was close to the carriage entrance, and
probably led up to that impressive first floor. But this door was fast
locked, and before ringing she glanced through the lattice and beheld a
stately garden stairway flanked by cypresses and laurels ascending to a
landing where a stained-glass window cast ruby and sapphire rays on a
fair white statue. It was the bust of Clytie, which she had always
admired in the art shops because of its gentle melancholy.
Her heart sank again at all this splendour. She seemed unworthy of
breaking in on such decorous calm, so she sprang down the steps again
and preferred to enter by the general entrance, where some workmen were
busy facing the bare bricks with ornamental stucco. In the yard men
were at work, too. The cobble-stones, with which it had evidently been
hitherto covered, were piled in clumsy heaps, and mosaic tiles with
white circles on a grey ground, such as one sees in churches, were
being laid. At the back of the yard rose the red bald brick walls of
the factory itself. But this too appeared to be included in the
universal beautifying scheme, and was undergoing alterations. As far as
the second story the walls were being inlaid with a dado of yellow and
blue, which looked very gay. In fact, the old dingy aspect of the yard
was being gradually converted into the elegance of a room.
"They are doing things artistically here," Lilly thought, and felt
still more nervous.
On her left she saw a corner building that so far had escaped a
drop of renovating paint or varnish. In contrast to the rest, its bare
plaster walls presented a dirty, chalky, and almost forlorn appearance.
At the top of its plain iron steps was a brass tablet bearing the
words "Office" on its face. Lilly ascended the steps and entered an
ill-lighted dusty apartment divided into two parts by a wooden railing.
In the farther division half a dozen young men sat at desks covered
with shabby green baize. At her entrance they riveted their eyes on her
in gaping astonishment, and it did not apparently occur to any of them
to ask what she wanted. It was evident that such a dazzling apparition
as herself had never been seen in the office within the memory of man.
Not till she had taken a card from her brocaded wrist-bag and laid it
silently on the table did the petrified company show signs of life.
Then they all jumped up with one accord and scuffled for the card. It
was almost a free fight.
A lank, pasty, overgrown youth, who seemed to have authority over the
rest, finally sent the others back to their places, and bowing and
scraping to Lilly, murmured that he would inform "the Chief" of her
presence, and he disappeared with the card in his hand into a back
room.
A few moments elapsed. Lilly heard through the half-open door a lowered
voice say, "Czepanek? Don't know the name. Ask her what she wants.
What's she like?"
Public-domain text, read in full here on John Shaqi.
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