Nearly a week later the post brought Frau Lilly Czepanek a money-order
for two hundred and ten marks, from Richard Dehnicke, of the firm of
Liebert & Dehnicke, metal-ware craftsmen, "Due for seven landscapes
painted on glass, with dried flowers, sold at thirty marks apiece."
Thus the foundation of a future career seemed to be laid.
CHAPTER V
Bright times followed. With part of the sum she had earned, Lilly
invested in new materials, and soon more sunsets flared behind woods of
dried grass and flowers pasted on glass.
As she lay sleepless, through the hot summer nights, from overwork, she
made plans of all the great things she would do when her art had
conquered the world. She would have a workshop like Herr Dehnicke's,
and employ a dozen women-hands with Frau Laue as forewoman. Then she
would advertise for her lost father, and move her poor insane mother to
an expensive private asylum.
She would, of course, provide for Walter too. Now that she had worked
herself up into imagining herself his fiancee, it would be her duty,
and she cheerfully took the responsibility on her shoulders. He must,
however, first make some sign, or how was she to know where he was? She
felt sure that one day, when he had no one to turn to, he would think
of her, and find some way of communicating with her. Then out of her
abundance she would send him money without stint, all that her art
poured into her lap.
No, not all. She must think first of that great and sacred task which
dominated her life with such a gigantic influence. Whether she traced
her father or not, his work, his immortal masterpiece, must never be
allowed to sink into oblivion. Awaiting its resurrection, the score of
"The Song of Songs" still lay slumbering at the bottom of Lilly's
locked box, but it slumbered not quite so dreamlessly as in past years.
It began to be restive and to exhort, sobbing and humming an
accompaniment to the day's work, breaking out in the night and at other
times, when one least expected it, into harmonies and melodies.
From over the sunlit, cornflower blue hills it came, as if wafted by an
evening breeze, "How beautiful are thy feet with shoes, O prince's
daughter!" and from the dark interior of the mythical woods echoed
snatches of song concerning the lily of the valleys and the rose of
Sharon. It almost seemed as if the invisible inhabitants of those
illuminated pasteboard cottages were singing, as evidence of the
pleasant lives they led; and so one day would all the people of the
earth enjoy those treasures of song, of which fate had appointed her
guardian.
Public-domain text, read in full here on John Shaqi.
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