"There will be some that whirl more madly still," she thought, and
expected to hear, when the next door was opened, a deafening thunder.
But nothing of the sort happened. This was the one machine in the whole
factory to provide her with entertainment.
In the workroom where the chiselling was done, dozens of men stood at
long tables, levelling the uneven surface of the cast metal, and making
the separate parts of an ornament ready for joining. This was done in
the room adjacent, where the flames of the blowpipes leapt and hissed,
and clouds of metallic vapour shot up sparks. Each workman had a little
pile of burnished arms and legs beside him that looked as if they had
been amputated and had left the body they belonged to behind.
Then they came to the "filigree" department, where all the flowers and
foliage were elaborated--the ribbons, tendrils, and arabesques,
everything of a light, curly, and daintily twining character. So
delicate was the work that it made the men engaged on it look all the
clumsier and coarser. They scarcely raised their eyes, and hammered on
in a dogged mechanical way.
Lilly, wherever she went, had a keener eye for the appearance and
manner of the workpeople than for the work itself. She drew comparisons
inwardly, decided who was well-to-do and who the reverse, who pursued
his avocation because he liked it, and who only because he was goaded
to it by necessity and sickness at home. Each department had its own
marked physiognomy. In one the majority would be fresh and active; in
another, weary and exhausted. Lilly felt as she had done when Herr
Dehnicke first told her about his workpeople: an insane desire to have
the wielding of their fate in her hands, to help them when help was
needed, to bring sunshine into their gloomy lives, and to be a good
angel to the suffering. But she was careful not to confide her absurd
notions to Herr Dehnicke.
"Now we come to the most critical part of the business," he said, "the
patina application, which gives the figures their style."
He opened the door of a workshop which exhaled the odour of a thousand
more poisons. Here women were at work with the men, putting on varnish
and acids, rubbing and brushing busily. They looked haggard and tired
out. At the sight of Lilly they dropped their implements to stare at
her in blank amazement.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account