This sport, which at first excited tornadoes of mad glee, had soon to
be abandoned, because the whipped cream dropped from its cases on to
the ladies' necks and dresses. Lilly's Empire gown got its baptism of
cream, and one of the men on his knees kissed away the stains.
When a trumpet sounded, to call the revellers back to the studio,
everyone was sorry, especially Lilly.
It consoled her to catch sight again of her friend, whom she had
entirely forgotten. Leaning on his arm, she related, with a radiant
face and half-inarticulate from laughter, her merry experiences.
It was then she noticed that the eyes of all those who were near seemed
bent on her with a strange seriousness and as if moved to sudden
compassion. But she was too busy talking to think much about it. She
begged him to stay at her side when the recitations began. She was
tired of playing the fool, she said, and wanted now something homelike.
He gave her arm a grateful pressure.
"Why are you trembling?" she asked him in astonishment.
"It's nothing," he answered lightly.
The first reciter was one of the long-haired collarless brigade, who
had been asked to open the programme with a solemn and weighty chorale.
He declaimed an ode entitled "Super-smoke," which was Greek to Lilly,
but she supposed it was very fine, because at the end there was an
outbreak of stormy applause among the men.
"Bravo, bravo! Super-smoke, more Super-smoke!" they shouted.
The long-haired collarless one, who took this for an encore, bowed,
highly flattered, and started off again: "Super-smoke, an ode." But he
got no further. Roars of "That's enough! that's enough!" came from all
sides, and it appeared that the men had been only expressing a desire
for something smokable when they had called out "More Super-smoke."
The next to appear on the rostrum was a slender, exceedingly elegant
person with a short pointed brown beard and glittering monocle. He was
a Dr. Salmoni, to whom Lilly had been introduced. With a melancholy
smile he held his hand close to his nose and examined his finger-nails,
as he said that it was his purpose to draw up an intellectual synopsis
of the evening's entertainment, and to throw in a few remarks on the
"destructive construction of social formlessness."
This prefaced a volley of impertinent sarcasms and insulting
personalities, intended to annihilate host and guests. Though she could
not understand his hits, Lilly felt inclined to blush for those who
came under the fire of his scathing satire. Yet, extraordinary to
relate, no one seemed to mind; on the contrary, the very people who
were being lashed by his tongue the most were loudest in jubilant
applause.
"Happy world!" thought Lilly, "where nothing hurts, and the most
abominable sins are titles to honour."
Public-domain text, read in full here on John Shaqi.
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