The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
The imperfect form יִשַּׁקֵנִי is used optatively or voluntatively, “Oh
that he would kiss me!” (Gesen. § 127, 3 b; Ewald, § 224 a); i.e. a
kiss: the subject, either in the singular (Gen. xxviii. 11, compare v.
18; Exod. vi. 25; Ps. cxxxvii. 3), or plural (Gen. xxx. 14; Exod. xvii.
5; 2 Sam. xi. 17), is to be supplied from the plural noun מִנְּשִׁיקוֹת, as
indicated by the partitive מִן. (Compare Gesen. § 154, 3 c; Ewald, §
217, b, i. b.) The singular, however, is preferable, for the Shulamite
does not wish so much for a number of kisses as for the presence of her
beloved; one would be sufficient if he could only come. We thus obtain
a phrase נָשָׁק נְשִׁיקָה, to kiss a kiss, i.e. to give a kiss;
corresponding to יָעַץ עֵצָה, to counsel a counsel, i.e. to give counsel,
2 Sam. xvi. 23; חָלָה חֳלִי, 2 Kings xiii. 14. This construction is of
frequent occurrence in Hebrew, and is also found in Greek and Latin;
(Compare νοσεῖν νόσον, pugnam pugnare; Gesen. § 138 i., Rem. 1; Ewald,
§ 281 a.) The rendering, therefore, of מִן by with (Luther, English
Version, Good, Williams, &c.) is incorrect. Ewald’s and Herxheimer’s
translation, Let one of the kisses kiss me, is both incongruous and
ungrammatical; for in the first place, it is not the kiss that kisses,
but the individual; and secondly, נְשִׁיקָה is feminine, which would
require תִּשַּׁקֵנִי, the third fem. דוֹדִים, prop. love, the abstract,
which, as in Greek and Latin, is in Hebrew frequently expressed by the
plural, (comp. חַיִּים, life, מַמְתַּקִים, sweetness, מַחִמַדִים, beauty;
vide infra, v. 16; Gesen. § 108, 2 a; Ewald, § 179 a), here
metonomically for the expressions of it—love-tokens, caresses. So Lee,
Magnus, Noyes, Fürst, Philippson, &c. This rendering is demanded by the
context, for this clause gives the cause of the statement in the
preceding one. The change from the third person יִשַּׁקֵנִי, to the second
דֹדָיךָ, or from the second to the third person, is an enallage of
frequent occurrence in sacred poetry. (Deut. xxxii. 15; Isa. i. 29;
Jer. xxii. 24; Gesen. § 137, 3, Rem. 3.) The Sept. and Vulg. have
דַּדֶּיךָ, thy breasts, instead of דֹדֶיךָ, thy caresses. That this is a
gross error is evident from the fact that a man and not a woman is here
addressed. To appeal to the catachresis in Isa. lx. 16, would be
preposterous.
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