The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
13. His cheeks are like beds of balsam, &c. His round cheeks with the
pullulating beard, resemble beds growing aromatic plants. The Sept.,
Arabic, Æth., Chald., read מְגַדִּלוֹת, the part. Piel, instead of
מִגְדְּלוֹת, which many modern commentators follow, but without MS.
authority. The lily here referred to is most probably the crown
imperial, of a deep red colour, whose leaves contain an aqueous
humidity, which gathers itself in the form of pearls, especially at
noon, and distils clear and pellucid drops; see Rosenmüller, Alther,
iv. 138; Winer, Bib. Dict. s.v. There is, however, no necessity for
referring the words “distilling liquid myrrh,” to the lilies. Indeed,
it seems to be more consonant with the context, to take them as
predicated of the lips, expressing the sweetness of his conversation.
Comp. iv. 11.
14. His hands are like, &c. His rounded arms and fingers tipped with
well-shaped nails, as if inlaid with precious stones, resemble golden
cylinders: and his white and smooth body, covered with a delicate blue
vest, resembles polished ivory. גָּלִיל (from גָּלַל, to roll), a roller,
a cylinder. Kleuker, Gesenius, Döpke, &c., translate יָדָיו גְּלִילֵי זָהָב
χρυσός, gold, and λίθος, a stone), is of a yellow or gold colour, and
pellucid. Being of a glass lustre, the chrysolite is beautifully chosen
to represent the nails. The words מְמֻלָּאִים בַּתַּרְשִׁישׁ refer to יָדָיו. The
expression מֵעִים, prop. the internal parts of the human frame (v. 4),
is here used for the external = the body; so Dan. ii. 32. עֶשֶׁת is
taken by most modern commentators to denote something fabricated, or
wrought; an artificial work; thus deducing this sense from the
secondary meaning of עָשַׁת, which the Syriac (ܥܰܒܕܳܐ, work,) seems to
favour; but this is incompatible with the description here given of the
beloved. The Shulamite, throughout the whole of this delineation,
depicts the splendour and colour of the body as they dazzle the eye,
but makes no reference to the wondrous construction of the frame, which
could have been discerned only by the exercise of the intellect. It is
therefore better, with Ibn Ezra, Kimchi, Rashi, Rashbam, Luther, Auth.
Version, Mendelssohn, Kleuker, Williams, Good, Hengstenberg, &c. to
take עֶשֶׁת, from עָשַׁת, in its primary meaning, to shine, to be bright,
in the sense of brightness, polish; comp. Jer. v. 28.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account