The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
viii. 1; Mich. i. 7), or מַרְכְּבוֹת may be taken as a designation of
place after שׂוּם, a verb of motion; comp. Isa. xl. 26. מֶרְכָּבָה, a
chariot, used for warlike purposes, or for state or pleasure, Gen.
xlvi. 29; Exod. xv. 4; 2 Sam. xv. 1. The expression עַמִּי may either
mean populares mei—(the Hebrews having no separate word for
“countryman,” use this expression to denote one of their own people
(Gesen. xxiii. 11; Lam. ii. 11), and נָדִיב may be an adjective for
הַנַּדִיב, as the article is sometimes omitted through following a noun
with suffix)—or עַמִּי may here be used, like עִישׁ, for companions,
attendants, followers, (Eccl. iv. 16,) the י in עַמִּי not being a
suffix, but paragogic, and a mark of the const. state (Deut. xxxiii.
16; Lam. i. 1), and נָדִיב, a noun in the genitive of the king or
prince. As to how much stress there is to be laid on the Sept., which
takes עַמִּי נָדִיב as a proper name, and is followed by the Arabic,
Æthiop., Vulg., and which also produced some variations in the
orthography of these words, we need only refer to vii. 2, where the
same version renders בַּת נָדִיב by θυγάτηρ Ἀμιναδὰβ. The verse,
therefore, may either be translated: “My soul has unwittingly made me
the chariots of my noble countrymen,” or, “My soul has unwittingly
placed at, or brought me to the chariots of my noble people, or to the
chariots of the companions of the prince.” Now against the first
rendering we urge, in the first place, that if the chariots be taken in
the accusative, and hence in a figurative sense, we are unavoidably led
into a bewildering maze of conjectural and fanciful opinions. The
following may serve as a specimen. Rashi takes the chariots to be a
sign of ignominy. נפשי שמתני להיות מרכבות להרכיב עלי נדיבות שאר
אומות, “My soul has made me to be chariots for foreign princes to ride
upon”; i.e. I have willingly brought upon me a foreign yoke. Ibn Ezra
takes the chariots as a figure for swiftness, לא ידעתי שהייתי הולכת
במרוצה אליך כמו מרכבות עמי נדיב הגדול שיש בעמי, “I did not know that I
was hurrying on to thee with the rapidity of the chariots of the great
prince who is among my people;” which the Syriac, ܐܳܐ ܝܶܕܥܰܬ ܢܰܦܫܝ ܣܳܡܬܰܥܝ
ܒܡܳܪܒܳܒܬܐ, though sharing somewhat in the errors of the Sept. and Vulg.,
seems to favour. Herder takes the chariots as a symbol of martial
power, guard, and protection (Ps. xx. 8; 2 Kings ii. 11, 12).
Hengstenberg affirms that the chariots signify champion, guard,
defence. And secondly, this translation interrupts the connexion of
this verse with the preceding one. Now the second rendering avoids all
this. Solomon has repeated in verse 10 the praise which the court
ladies had pronounced on the Shulamite when they first saw her; the
Shulamite (in ver. 11, 12), in reply, explains how she came to the
carriages of the court ladies.
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