The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
To this charming scene, therefore, does the captivated monarch compare
the view of the Shulamite. מְחוֹלָה, from חוּל, to turn round, a dance,
the joyous dancing on a festive occasion. ַחְנֶה, prop. a camp, also a
multitude, a band of people, Gen. l. 9. מַחֲנַיִם is the regular dual,
and not the plural (Sept., Vulg., Gesenius, Döpke, &c.), and is here
used because this dance consisted of a band arranged in a double line,
something like our country dance. On the different kinds of Oriental
dances, see Rosenmüller, Orient. ii. 19–22; Wilkinson, Manners, &c.,
ii. 328–340. Saalschütz, Archäologie der Hebräer, vol. i. 302. The
words כִּמְחֹלַת הַמַּחֲנַיִם have elicited a variety of interpretations. Some
take מַחֲנַיִם as a proper name, and say that reference is here made to
some particular mode of worship practised in that place in consequence
of Jacob’s sojourn there; but this is purely imaginary. Others again
suppose that an allusion is made to Gen. xxxii. 2, 3, and hence render
מַחֲנַיִם by מַחֲנֵי אֱלֹהִים or צְבָאוֹת; but this is unfounded, since we
have not the slightest intimation in that passage that the angels were
engaged in dancing.
2. How beautiful are thy feet in sandals! The Shulamite, in obedience
to the king’s request, returns, and as she advances, Solomon is
arrested by her beautiful feet, with which he begins his last highly
flattering delineation of her beauty, and his last attempt to win her
affections. נְעָלִים, Chald. סַנְדְלִין, sandals, formed an important part
of an Oriental costume (Ezek. xvi. 10; Judith xvi. 9). The ladies
bestowed great pains upon, and evinced much taste in ornamenting this
article of dress, which attracted the notice of the opposite sex. בַּת
נָדִיב does not mean a descendant of a titled family, but, according to
a common Hebrew idiom, which applies בַּת בֵּן, and other terms of human
kindred to relations of every kind, expresses that she herself was of a
noble character. Comp. 1 Sam. i. 16; Gesen. § 106, 2 a; Ewald, § 287 f.
Public-domain text, read in full here on John Shaqi.
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