The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
1. Oh that thou wert as my brother, &c. The charming description which
the Shulamite gave of their happiness when at home, recalled to her
mind the obstacles which they met with, even there; and hence she is
led to wish that he had sustained to her the relation of a brother,
that, whether in the street or the house, none might misinterpret or
interrupt the manifestation of their attachment. מִי יִתֵּן is used to
express the optative. Comp. Deut. v. 29; xxviii. 67; Ps. xiv. 7; Job
vi. 8; Gesen. § 136, 1; Ewald, § 329 c. כְּאָח is the accusative. The
rendering of the Septuag., Τὶς δῴη σε, ἀδελφιδέ μου, θηλάζοντα μαστοὺς
μητρός μου; and Luther, “O dass ich dich, mein Bruder, der du meiner
Mutter Brüste saugest, draussen fände,” are wrong. יֹונֵק שְׂדֵי אִמִּי, does
not mean “an infant still sucking the breasts.” (Grotius, Gill, Good,
Williams, &c.), but “one who had sucked and is now a youth;” it is the
second accusative to מִי יִתֶּנְךָ, and stands in parallelism with אָח,
brother; like the participle יֹולֶדֶת (which does not mean one who just
gave birth), and אֵﬦ, vide supra, chap. vi. 9. אֶמְצָאֲךָ is conditional,
with the particle אִﬦ implied, Judg. xi. 36; Prov. xxiv. 10; Ewald, §
367 b. גַם is used poetically for וְ, and, Judg. v. 4; Joel i. 12.
יָבֻזוּ: the third person is used to express the indeterminate third
person, the passive in English. Gen. xli. 14; Gesen. § 157, 3. For
לִי, me, five MSS. and two editions read לָךְ, thee, which Ewald
adopts. But this is against the majority of MSS. and all the versions,
and does not at all improve the sense.
2. I would lead thee, &c. As a brother, she could unreservedly bring
him from the spot, where she met him in the street, to her mother’s
house. We must supply מִשָּׁם, thence, before אֱנְהָגְךָ; so Rashbam. Simple
as the word תְּלַמְּדֵנִי seems to be, it has nevertheless produced a
variety of renderings. The Septuagint and Syriac, followed by Percy,
entirely omit it, and interpolate here וְאֶל חֶדֶר הוֹרָתִי, and into the
apartment of her who gave me birth, from chap. iii. 4; after בֵית אִמִּי,
the house of my mother. Ibn Ezra, the Authorized Version, Kleuker,
Döderlein, Hitzig, &c., supply אֲשֶׁר, who, before תְּלַמְּדֵנִי, and refer
it to אִמִּי, my mother. But this interrupts the construction, and,
against the scope of the description, introduces the mother as an
actress. Hodgson and the editor of Calmet, strangely enough, render it
Talmudni, as a proper name of the maiden’s mother. The most natural way
seems to be to take it with the Vulgate, Chaldee, Rashbam, Luther,
Ewald, Döpke, De Wette, Delitzsch, Hengstenberg, Philippson, &c., as
the second person masculine.
Public-domain text, read in full here on John Shaqi.
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