The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
Church when addressing the Holy One of Israel?
Dr. Bennett, however, misunderstood the design of the book. The Song,
in its literal meaning, does not begin with representing a woman
courting a man, but describes how a humble and virtuous rustic maiden
was taken away from her beloved into the court of Solomon, and tempted
to transfer her affections, by the splendour and luxuries of royalty;
but even there, amidst all the grandeur, and in spite of all alluring
promises, the maiden was faithful to her espousals, and desired that he
whom she prized above all things would come and rescue her.
3. It is urged that the same language and imagery employed in the Song,
and the bridegroom and the bride here introduced, are elsewhere
spiritually applied to the Lord and his people.
“This sort of imagery,” says Professor Stuart, “is frequent in the Old
Testament, and in the New. Frequently are the Jews charged with ‘going
a whoring after other gods,’ Exod. xxxiv. 15, 16; Lev. xx. 5, 6; Numb.
xv. 39; Deut. xxxi. 16; 2 Chron. xxi. 13; Ps. lxxiii. 27; Ezek. vi. 9.
Here the idea is, that they were affianced to the true God, and could
not seek after idols without incurring the guilt of adultery. So God
calls himself the husband of the Jews, Isa. liv. 5. The nation of
Israel is his bride, Isa. lxii. 4, 5. In Isa. l. 1, Jehovah asks,
‘Where is the bill of divorcement’ on his part, that Israel has
departed from Him? Jeremiah speaks of the espousals of Israel, when
young, in the wilderness.
“In Jer. iii. 1–11, the prophet speaks of Israel as playing the harlot,
and committing adultery, in forsaking Jehovah. In Ezekiel, two long
chapters (xvi., xxiii.) are occupied with carrying through the imagery
drawn from such a connexion. Hosea (i.–iii.) recognises the same
principle, and carries out the imagery into much detail. These are
merely specimens. Ps. xlv. presents the Mediator, the King of Zion, in
the attitude of a husband to the Church, and celebrates the union
between the former and the latter. So in the New Testament this imagery
is very familiar: see Matt. ix. 25; John iii. 29; Rev. xix. 7; xxi. 2.
Especially consult 2 Cor. xi. 2, and Eph. v. 22–32, where the Apostle
has gone into much particularity as to the duties of the marriage
relation, and then avows that he ‘speaks concerning Christ and the
Church.’
“Such is the custom of the Hebrew writers and of the Apostles. If, now,
this imagery is so often employed in all parts of the Bible, what
forbids the idea, that there may be one short book in which it occupies
an exclusive place, and is designed to symbolize the love that existed
between God and his ancient people, or the Church; or rather, which
ought to have existed on their part between God and his spiritually
regenerated people, who have become one (in a spiritual sense) with
him, and are for ever united to him? It cannot be shown, à priori, that
it is even improbable.”
Public-domain text, read in full here on John Shaqi.
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