The Song of the Rappahannock: Sketches of the Civil WarDodd, Ira Seymour
History
The Song of the Rappahannock: Sketches of the Civil War
Dodd, Ira Seymour
United States -- History -- Civil War, 1861-1865 -- Personal narratives
In the kitchen end, beside the door, we built a fireplace and chimney.
Now a wooden fireplace and chimney may seem ludicrously impractical,
yet that is what we and thousands of others actually built from green
pine sticks. But we fireproofed it with a coating of clay on the
inside, and it answered its purpose perfectly. It "drew" finely and
gave us no end of solid comfort. Some of the chimneys did not work so
well and then the draught was increased by the precarious expedient of
an empty, headless barrel placed on top. This generally served for a
short time; but the barrel was pretty sure to take fire and then there
would be a grand excitement and much merriment over the frantic effort
to extinguish the blaze.
Not the chimneys alone played tricks on the householders. Mischievous
comrades have been known to drop a handful of cartridges down a chimney
from the outside, with the result of a smothered explosion and a great
scattering of ashes and embers over everything and everybody within.
The spirit of fun also found outlet in the adornment of the gables of
our dwellings with various legends suggestive of the personal
peculiarities of the inmates. For instance, of two queerly assorted
tent-mates, one had been a church sexton and a conspicuous functionary
at village funerals; the other had worked in a silverware factory. Over
their door some wag tacked a sign with the inscription:
DOWD AND GRIFFITH,
JEWELLERS AND UNDERTAKERS.
As few of us were content with the wholesale and not too dainty work of
the company cooks, we did most of our cooking ourselves by our kitchen
fires, and those of us who survived the war learned enough to make us
useful to the women who were wise enough to choose us as husbands,
though I fear the details of our housekeeping would have shocked them.
Many a pleasant evening we spent about our little fireplace. We talked
about home, the girls we loved, religion, politics, literature, camp
gossip, everything. Or we read, when we had books or papers from home,
or wrote letters or our journals.
There was, however, little real privacy in those huts so close together
with their canvas roofs. Any loud talk could be heard from one to the
other and in the evening after "retreat" the camp became a very babel
of men singing, talking, laughing, swearing, telling stories; a chorus
in one tent, a game of cards in another; in three or four at once loud
discussions of the doings in the regiment or of the state of the
country.
At nine o'clock "taps" sounded, and the officer of the day went the
rounds to see that all lights were out. This was early bed-time in the
long winter nights, and by various ruses we managed to conceal the
glimmer of candles re-lighted after the officer had returned to the
guard-house. The Bible and Shakespeare were responsible for some of
these evasions of military regulations, quiet little games of cards for
more of them.
Speaking of cards and Bibles brings up the image of the chaplain.
Public-domain text, read in full here on John Shaqi.
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