The Song of the Rappahannock: Sketches of the Civil WarDodd, Ira Seymour
History
The Song of the Rappahannock: Sketches of the Civil War
Dodd, Ira Seymour
United States -- History -- Civil War, 1861-1865 -- Personal narratives
When we went down to the river that day, Captain D----'s company led
the line and filled the first boat. The enemy's fire was at its hottest
when they were shoved off. Caring always for others more than for
himself, he commanded his men to lie down and shelter themselves, but
his perilous duty was to direct the rowers and guide the course of the
fleet. He stood up to do it better. The risk was fatal; his commanding
figure became the mark for many rifles, and he fell before we were half
way across.
Such a death for such a man was nothing less than martyrdom, all the
harder because he knew that hundreds of hearts were eagerly counting
the hours that lay between him and a joyful welcome home. But our dear
captain was a type. There were hundreds like him in our army who never
reached home.
In the same boat with the heroic captain was a man from the other
regiment who had been a deserter. His conduct in action was to
determine his fate. How he managed to get into that first boat I do not
know. He must have run far ahead of his own company, but when we neared
shore he sprang out where the water was waist deep and, waiting for no
one, charged alone up the bank. It looked like sure death; but he
escaped unhurt, and I believe was the very first to enter the enemy's
works. Of course he secured his pardon.
In every battle there are a few heroes of the type with which Stephen
Crane has made us familiar, whose ingenuity in finding safe places is
amusing, and whose antics make life a burden to officers and
file-closers. When we reached the boat-landing the ground was
absolutely bare; there was not a bush, or tree, or rock; the only
possible shelter from the leaden hail was a spring,--a mere mud hole,
perhaps three feet in diameter. By lying down and curling himself up in
the mud and water a man might fit into it. If the desirability of land
is the measure of its value, then that mud hole was priceless, for it
was occupied every minute and each occupant was envied by other
would-be tenants. As I came down the hill I saw one of these fellows
who had just been routed out. A bullet had pierced his arm as he rose
from his muddy bed, and he was dancing with pain, clasping his wounded
arm with his unhurt hand and muttering angry curses upon the officer
who had disturbed his repose. The vacant place was instantly taken by
an old gray-bearded fellow from my own company. Over him stood the
major, punching the man with his sword, and accentuating each prod with
an appropriate remark.
"Come, Peter [a prod], get out of this [prod]; your life is not worth
any more than mine!" (final prod). And Peter slowly arose. It makes me
laugh now, as it did then, to see his white, scared face gazing agape
at the major, the mud and water dripping in festoons from his hair, his
beard, and his clothes.
Public-domain text, read in full here on John Shaqi.
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