The Song of the Rappahannock: Sketches of the Civil WarDodd, Ira Seymour
History
The Song of the Rappahannock: Sketches of the Civil War
Dodd, Ira Seymour
United States -- History -- Civil War, 1861-1865 -- Personal narratives
On the day when we stormed the Marye's Hill, after we had gained the
crest and the foe was fleeing before us, we pushed on through the woods
that crowned the height until we came suddenly upon an open space
dotted with the stumps of trees that had been felled for Confederate
camp-fires. On the other side of this opening were two guns, the
section of a battery which our enemies had hastily drawn up in a brave
attempt to check our advance, and our captain had scarcely time to
shout, "Lie down, quick!" before a volley of grape-shot whizzed and
hummed about us and laid several of our men low. The lieutenant-colonel
called for volunteers, and a thin and hasty skirmish line disappeared
among the stumps. Another volley of grape and another came, and then,
far to the front, more than half way between us and the enemy two rifle
shots rang out, and the captain of the battery fell. The gunners,
apparently dismayed at the loss of their commander and at such near and
mysterious foes, hastily limbered up their pieces and hurried them
away. We were as much astonished and mystified as they, until presently
Joe, and a companion from another regiment whom he had picked up, rose
from among the stumps and came sauntering into the line. Those two bold
fellows had slipped out beyond the skirmish line, and, eyeing the
enemy's guns like cats, they had dropped behind the stumps as soon as
they saw the gunners about to fire; then, when the grape ceased
rattling about them, up again and half running, half creeping, they had
thus worked their way forward until they were within fifty yards of the
battery; then, watching their chance both aimed together at the captain
and brought him down.
The colonel thanked Corporal Joe before the regiment for silencing the
battery, and that was all the reward he received, or indeed cared for.
Absolute fearlessness is rare. Perhaps it does not exist in the heart
of a sane man. The bravest are usually like our heroic lieutenant-colonel,
who, when an officer said to him one day, "Colonel, you don't seem to
know what fear is," replied in his abrupt way,--
"All a mistake. I am always afraid, miserably afraid, whenever I go
into battle, but of course it would never do to show it!"
Yet there are exceptional characters for whom the voice of the battle
siren possesses irresistible fascination,--men whose overmastering
delight in danger seems to scare their very fears and send them
slinking away to hide in some obscure corner of their souls. After our
days at Marye's Hill and Salem Heights, we began to see such a man in
Joe, and from that time onward his career, which was marked by a
continued series of daring exploits, confirmed the judgment. Moreover,
it was characteristic of the man that his peril-defying deeds were
never the result of any rage of battle. They were always either
deliberately planned, or else the quick and cool acceptance of some
desperate chance.
Public-domain text, read in full here on John Shaqi.
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