After a few desultory minutes with the group about the fireplace, he
strolled over to the piano. Grace welcomed him shyly, her touch on the
keys a little uncertain as in compliance with her request he sang to her
accompaniment the Toreador song from Carmen. The request was an
inspiration on her part, she never having heard him sing before, and she
had preferred it only to cover her soft confusion as she suddenly felt
rather than saw his presence behind her. If his instant compliance had
surprised her, his execution of it was a revelation to everyone in the
room. He sang it easily and freely, a little raucously from lack of
practice, it is true, but with the power and richness of voice that made
even Constance Brevoort, hypercritical as she was in things musical, sit
breathless to its conclusion.
The silence which followed was first broken by Red. "Gee, Ken," he said
quaintly, "who'd ever thought yuh could beller so melojious as that!
Why, yuh're a reg'lah preemoh-johnny!" In the hilarity which this evoked
Grace said, reproachfully:
"And to think I never knew!"
He was almost boyishly elated at the implied compliment, and, at the
insistence of his audience sang several other operatic selections very
creditably. Then he turned in modest explanation to Carter's demand.
"We all sang a little at college, you know, and my mother was an
accomplished musician. It is four years since I last sang. You are
overkind to me."
"Do you not play as well?" impulsively asked Mrs. Brevoort. He shook his
head negatively.
"Only a few accompaniment chords that I smash out indifferently! and I
am dubious of my ability to do that after all these years of roping and
ditch digging."
Anselm Brevoort, watching him speculatively through a fragrant cloud of
cigar smoke, suddenly sprang a bomb. "Have you ever composed, Mr.
Douglass, written any songs, for instance? I have heard that you range
men have an aptitude in that direction."
Douglass surveyed him levelly for a moment, his face hardening with
quick suspicion. "I have done most things foolish, after the manner of
my kind, Mr. Brevoort," he said, curtly; "but I hardly think you would
find even a passing interest in anything I have accomplished in that
direction." Whereupon that astute financier subsided promptly, evincing
no further curiosity as to the poetic attainments of this uncomfortably
straight-speaking young personage. He was a very shrewd man and had long
since learned to respect the moods and idiosyncrasies of others.
But Constance, his wife, detecting the sharp irritation in Douglass's
voice, was seized with a malicious desire to know its cause; like her
husband she was thinking: "That caught him on the raw, somehow. I wonder
why?"
Public-domain text, read in full here on John Shaqi.
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