Nurse nodded at Bee, with much uplifting of her eyelids. “Put no faith
in you,” she said, working the machinery of her lips; “was wrong; done
him no end of good. Beefsteak; not exactly; but soon, soon, if you’re
good.”
CHAPTER X.
Bee saw no more of Charlie that night. When she came out of his room,
where there was a certain meaning in her presence, she seemed to pass
into the region of dreams. She was taken upstairs to refresh herself and
rest, into the smaller of two bedrooms which were over Charlie’s room,
the other of which was occupied by Mrs. Leigh. And she was taken
downstairs to dine with that lady _tête-a-tête_ at the small shining
table. There was something about the little house altogether, a certain
conciseness, an absence of drapery, and of the small elegant litter
which is so general nowadays, which gave it a masculine character--or,
at least, Bee, not accustomed to æsthetic young men, accustomed rather
to big boys and their scorn of the decorative arts, thought so with a
curious flutter of her being. This perhaps was partly because the
ornamental part of the house was devoted to Charlie, and the little
dining-room below seemed the sole room to live in. It had one or two
portraits hung on the walls, pictures almost too much for its small
dimensions. The still smaller room behind was clothed with books, and
had for its only ornament a small portrait of Mrs. Leigh over the
mantel-piece. Whose rooms were these? Who had furnished them so gravely,
and left behind an impression of serious character which almost chilled
the heart of Bee? He was nowhere visible, nor any trace of him. No
allusion was made as to an absent master of the house, and yet it bore
an air so individual that Bee’s sensitive being was moved by it, with
all the might of something stranger than imagination. She stood
trembling among the books, looking at the mother’s portrait over the
mantel-piece, feeling as if the very mantel-shelf on which she rested
her arm was warm with the touch of his. But not a word was said, not an
allusion made to Aubrey.
What had she to do with Aubrey? Nothing--less than with any other man in
the world--any stranger to whom she could speak with freedom,
interchanging the common coin of ordinary intercourse. He was the only
man in the world whom she must not talk of, must not see--the only one
of whose presence it was necessary to obliterate every sign, and never
to utter the name where she was. Poor Bee! Yet she felt him near, his
presence suggested by everything, his name always latent in the air. She
slept and waked in that strange atmosphere as in a dream. In Aubrey’s
house, yet with Aubrey obliterated--the one person in existence with
whom she had nothing, nothing to do.
Public-domain text, read in full here on John Shaqi.
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