The Sorrows of Satan: or, The Strange Experience of One Geoffrey Tempest, Millionaire: A RomanceCorelli, Marie
Philosophy
The Sorrows of Satan: or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance
Corelli, Marie
Devil -- Fiction; Didactic fiction; Great Britain -- Fiction; Millionaires -- Fiction; Religious fiction
"Come and winter with me in Egypt,"--he continued--"Come in my yacht
'The Flame,'--we will take her to Alexandria,--and then do the Nile in a
dahabeah, and forget that such frivolous dolls as women exist except to
be played with by us 'superior' creatures and thrown aside."
"Egypt----the Nile!" I murmured,--somehow the idea pleased
me--"Yes,----why not?"
"Why not indeed!" he echoed--"The proposal is agreeable to you I am
sure. Come and see the land of the old gods,--the land where my princess
used to live and torture the souls of men!--perhaps we may discover the
remains of her last victim,----who knows!"
I avoided his gaze;--the recollection of the horrible winged thing he
persisted in imagining to be the transmigrated soul of an evil woman,
was repugnant to me. Almost I felt as if there were some subtle
connection between that hateful creature and my wife Sibyl. I was glad
when the train reached London, and we, taking a hansom, were plunged
into the very vortex of human life. The perpetual noise of traffic,
the motley crowds of people, the shouting of news-boys and
omnibus-conductors,--all this hubbub was grateful to my ears, and for a
time at least, distracted my thoughts. We lunched at the Savoy, and
amused ourselves with noting the town noodles of fashion,--the inane
young man in the stocks of the stiff high collar, and wearing the
manacles of equally stiff and exaggerated cuffs, a veritable prisoner in
the dock of silly custom,--the frivolous fool of a woman, painted and
powdered, with false hair and dyed eyebrows, trying to look as much like
a paid courtezan as possible,--the elderly matron, skipping forward on
high heels, and attempting by the assumption of juvenile airs and graces
to cover up and conceal the obtrusive facts of a too obvious paunch and
overlapping bosom,--the would-be dandy and 'beau' of seventy, strangely
possessed by youthful desires, and manifesting the same by goat-like
caperings at the heels of young married women;--these and such-like
contemptible units of a contemptible social swarm, passed before us like
puppets at a country fair, and aroused us in turn to laughter or
disdain. While we yet lingered over our wine, a man came in alone, and
sat down at the table next to ours;--he had with him a book, which,
after giving his orders for luncheon, he at once opened at a marked
place and began to read with absorbed attention,--I recognised the
cover of the volume and knew it to be Mavis Clare's "Differences." A
haze floated before my sight,--a sensation of rising tears was in my
throat,--I saw the fair face, earnest eyes, and sweet smile of
Mavis,--that woman-wearer of the laurel-crown,--that keeper of the
lilies of purity and peace. Alas, those lilies!--they were for me
"des fleurs étranges,[3]
Avec leurs airs de sceptres d'anges;
De thyrses lumineux pour doigts de séraphins,--
Leurs parfums sont trop forts, tout ensemble, et trop fins!"
Public-domain text, read in full here on John Shaqi.
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