Buddhism -- Burma; Burma -- Religion; Burma -- Social life and customs
Wherever there are great pagodas the people will come in from far and
near for the feast. There are many great pagodas in Burma; there is the
Arakan pagoda in Mandalay, and there was the Incomparable pagoda, which
has been burnt; there are great pagodas at Pegu, at Prome, at many other
places; but perhaps the greatest of all is the Shwe Dagon at Rangoon.
You see it from far away as you come up the river, steaming in from the
open sea, a great tongue of flame before you. It stands on a small
conical hill just behind the city of Rangoon, about two miles away from
the wharves and shipping in the busy river. The hill has been levelled
on the top and paved into a wide platform, to which you ascend by a
flight of many steps from the gate below, where stand the dragons. This
entrance-way is all roofed over, and the pillars and the ceiling are red
and painted. Here it was that much fighting took place in the early
wars, in 1852 especially, and many men, English and Burmese, were killed
in storming and defending this strong place. For it had been made a
very strong place, this holy place of him who taught that peace was the
only good, and the defences round about it are standing still. Upon the
top of this hill, the flat paved top, stands the pagoda, a great solid
tapering cone over three hundred feet high, ending in an iron fretwork
spire that glitters with gold and jewels; and the whole pagoda is
covered with gold--pure leaf-gold. Down below it is being always renewed
by the pious offerings of those who come to pray and spread a little
gold-leaf on it; but every now and then it is all regilt, from the top,
far away above you, to the golden lions that guard its base. It is a
most wonderful sight, this great golden cone, in that marvellous
sunlight that bathes its sides like a golden sea. It seems to shake and
tremble in the light like a fire. And all about the platform, edging it
ere it falls away below, are little shrines, marvels of carven woodwork
and red lacquer. They have tapering roofs, one above another, till they,
too, end in a golden spire full of little bells with tongues. As the
wind blows the tongues move to and fro, and the air is full of music, so
faint, so clear, like 'silver stir of strings in hollow shells.'
Public-domain text, read in full here on John Shaqi.
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