The Soul of the Soldier: Sketches from the Western Battle-FrontTiplady, Thomas
History
The Soul of the Soldier: Sketches from the Western Battle-Front
Tiplady, Thomas
World War, 1914-1918 -- Personal narratives, English
After all the tragic happenings on the Somme why should this little
incident linger in my memory like a primrose in a crater? Did it not
linger _because_ of the tragedy of the preceding weeks? I had been
living weeks together without seeing a child and after the slaughter of
youth which I had witnessed the sight of a child in a cathedral was
inexpressibly beautiful. The father’s neglect of its finer needs gave
me pain. We have lost so many young men, that every child and youth
left to us ought to be cared for as the apple of our eye. We have lost
more than our young men. We have lost those who would have been their
children. The little ones who might have been, have gone to their
graves with their fathers.
The old recruiting cry, "the young and single first" was necessary from
a military standpoint but, from a merely human point of view, I could
never see much justice in it. The young had no responsibility, direct
or indirect, for the war. They were given life and yet before they
could taste it, they were called upon to die in our behalf. We who are
older have tasted of life and love; the residue of our years will be
much the same as those that have gone before; there will be little of
surprise or newness of experience. Perhaps, too, we have living
memorials of ourselves, so that if we die, our personality and name will
still live on. Our death will only be partial. While William Pitt lived
could it be said that Lord Chatham had died? His body was dead, truly,
but his spirit found utterance in the British House of Commons every
time his son spoke, and Napoleon felt the strength of his arm as truly
did Montcalm on the Heights of Abraham. I should not have mourned the
loss of the young Scot and the Greek so much, had they left to the world
some image and likeness of themselves. In dying, they gave more than
themselves to death;
"Those who would have been
Their sons they gave--their immortality."
After a summer on the Somme, I have come to understand something of how
fear of the devouring maw of Time became almost an obsession with
Shakespeare. Death had taken from him some of the dearest intimates of
his heart, and taken them young. And so, like the sound of a
funeral-bell echoing down the lane where lovers walk, there is heard
through all his sonnets and poems of love the approaching footsteps of
death. Sometimes the footsteps sound faintly, but they are seldom
absent. How then would he have felt in a war like this, in which the
"young and single" have gone out by the hundred thousand to prematurely
die?
Public-domain text, read in full here on John Shaqi.
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