So it was in Rheims and Arras and other towns which were not
spared in spite of the glories of an architecture which can never be
rebuilt in beauty. Only a few days before writing these lines, I stood on
the edge of the greatest battlefield in France and from an observation
post perched like an eyrie in a tree above the valley, looked across to
the cathedral of Rheims, that shrine of history, where the bones of
kings lie, and where every stone speaks of saints and heroes and a
thousand years of worship. The German shells were still falling about
it, and its great walls stood grim and battered in a wrack of smoke.
For nine months the city of Rheims has suffered the wounds of war.
Shrapnel and air-bombs, incendiary shells and monstrous marmites
had fallen within its boundaries week by week; sometimes only one or
two on an idle day, sometimes in a raging storm of fire, but always
killing a few more people, always shattering another house or two,
always spoiling another bit of sculptured beauty. Nevertheless, there
were thousands of citizens, women as well as men, who would not
leave their city. They lived in cellars, into which they had dragged their
beds and stores, and when the shell fire slackened they emerged,
came out into the light of day, looked around at the new damage, and
went about their daily business until cleared underground again by
another storm of death. There were two old ladies with an elderly
daughter who used to sit at table in the salle-à-manger of a hotel in
Paris a week or two ago. I saw them arrive one day, and watched the
placid faces of these stately old dames in black silk with little lace
caps on their white hair. It was hardly possible to believe that for three
months they had lived in a cellar at Rheims, listening through the day
and night to the cannonading of the city, and to the rushing of the
shells above their own house.
Yet I think that even in a cellar those old women of France preserved
their dignity, and in spite of dirty hands (for water was very scarce)
ate their meagre rations with a stately grace.
14
Public-domain text, read in full here on John Shaqi.
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