The old style of courage, when man had pride and confidence in his
own strength and valour against other men, when he was on an
equality with his enemy in arms and intelligence, has almost gone. It
has quite gone when he is called upon to advance or hold the ground
in face of the enemy's artillery. For all human qualities are of no avail
against those death-machines. What are quickness of wit, the
strength of a man's right arm, the heroic fibre of his heart, his cunning
in warfare, when he is opposed by an enemy's batteries which belch
out bursting shells with frightful precision and regularity? What is the
most courageous man to do in such an hour? Can he stand erect
and fearless under a sky which is raining down jagged pieces of
steel? Can he adopt the pose of an Adelphi hero, with a scornful
smile on his lips, when a yard away from him a hole large enough to
bury a taxicab is torn out of the earth, and when the building against
which he has been standing is suddenly knocked into a ridiculous
ruin?
It is impossible to exaggerate the monstrous horror of the shell-fire,
as I knew when I stood in the midst of it, watching its effect upon the
men around me, and analysing my own psychological sensations with
a morbid interest. I was very much afraid--day after day I faced that
musis and hated it--but there were all sorts of other sensations
besides fear which worked a change in me. I was conscious of great
physical discomfort which reacted upon my brain. The noises were
even more distressing to me than the risk of death. It was terrifying in
its tumult. The German batteries were hard at work round Nieuport,
Dixmude, Pervyse, and other towns and villages, forming a crescent,
with its left curve sweeping away from the coast. One could see the
stabbing flashes from some of the enemy's guns and a loud and
unceasing roar came from them with regular rolls of thunderous noise
interrupted by sudden and terrific shocks, which shattered into one's
brain and shook one's body with a kind of disintegrating tumult. High
above this deep-toned concussion came the cry of the shells--that
long carrying buzz--like a monstrous, angry bee rushing away from a
burning hive--which rises into a shrill singing note before ending and
bursting into the final boom which scatters death.
Public-domain text, read in full here on John Shaqi.
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