Men who have been in the trenches under heavy shell-fire,
sometimes for as long as three days, come out of their torment like
men who have been buried alive. They have the brownish, ashen
colour of death. They tremble as through anguish. They are dazed
and stupid for a time. But they go back. That is the marvel of it. They
go back day after day, as the Belgians went day after day. There is
no fun in it, no sport, none of that heroic adventure which used
perhaps--gods know--to belong to warfare when men were matched
against men, and not against unapproachable artillery. This is their
courage, stronger than all their fear. There is something in us, even
divine pride of manhood, a dogged disregard of death, though it
comes from an unseen enemy out of a smoke-wracked sky, like the
thunderbolts of the gods, which makes us go back, though we know
the terror of it. For honour's sake men face again the music of that
infernal orchestra, and listen with a deadly sickness in their hearts to
the song of the shell screaming the French word for kill, which is tue!
tue!
It was at night that I used to see the full splendour of the war's infernal
beauty. After a long day in the fields travelling back in the repeated
journeys to the station of Fortem, where the lightly wounded men
used to be put on a steam tramway for transport to the Belgian
hospitals, the ambulances would gather their last load and go
homeward to Furnes. It was quite dark then, and towards nine o'clock
the enemy's artillery would slacken fire, only the heavy guns sending
out long-range shots. But five towns or more were blazing fiercely in
the girdle of fire, and the sky throbbed with the crimson glare of their
furnaces, and tall trees to which the autumn foliage clung would be
touched with light, so that their straight trunks along a distant highway
stood like ghostly sentinels. Now and again, above one of the burning
towns a shell would burst as though the enemy were not content with
their fires and would smash them into smaller fuel.
As I watched the flames, I knew that each one of those poor burning
towns was the ruin of something more than bricks and mortar. It was
the ruin of a people's ideals, fulfilled throughout centuries of quiet
progress in arts and crafts. It was the shattering of all those things for
which they praised God in their churches--the good gifts of home-life,
the security of the family, the impregnable stronghold, as it seemed,
of prosperity built by labour and thrift now utterly destroyed.
15
Public-domain text, read in full here on John Shaqi.
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