"I will try it," said the pianist. "It amuses me to improvise. If it would
not worry you--"
It was not wearisome. He played with a master-touch, and the room
was filled with rushing notes and crashing harmonies. For a little time
I could not guess the meaning of their theme. Then suddenly I was
aware of it. It was the tramp of arms, the roar of battle, the song of
victory and of death. Wailing voices came across fields of darkness,
and then, with the dawn, birds sang, while the dead lay still.
The musician gave a queer laugh. "Any good?"
"C'est la guerre!" said a girl by my side. She shivered a little.
They were Danes, Norwegians, and Swedes in that room, with a few
Parisians among them. Students to whom all life is expressed in
music, they went on with their work in spite of the war. But war had
touched their spirit too, with its great tragedy, and found expression in
their art. It was but one glimpse behind the scenes of Paris, in time of
war, and in thousands of other rooms, whose window-curtains were
drawn to veil their light from hostile aircraft, the people who come to
Paris as the great university of intellect and emotion, continued their
studies and their way of life, with vibrations of fiddle-strings and
scraping of palettes and adventures among books.
Even the artists' clubs had not all closed their doors, though
so many young painters were mixing blood with mud and watching
impressionistic pictures of ruined villages through the smoke of shells.
Through cigarette smoke I gazed at the oddest crowd in one of these
clubs off the Boulevard Saint-Germain. Slavs with matted hair,
American girls in Futurist frocks, Italians like figures out of pre-
Raphaelite frescoes, men with monkey faces and monkey manners,
men with the faces of mediaeval saints a little debauched by devilish
temptations, filled the long bare room, spoke in strange tongues to
each other, and made love passionately in the universal language
and in dark corners provided with ragged divans. A dwarf creature
perched on a piano stool teased the keys of an untuned piano and
drew forth adorable melody, skipping the broken notes with great
agility. ... It was the same old Paris, even in time of war.
14
Public-domain text, read in full here on John Shaqi.
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