We had come to the boundaries of Dougherty, and were about to turn west along the county-line, when all these sights were pointed out to us by a kindly old man, black, white-haired, and seventy. Forty-five years he had lived here, and now supports himself and his old wife by the help of the steer tethered yonder and the charity of his black neighbors. He shows us the farm of the Hills just across the county line in Baker,—a widow and two strapping sons, who raised ten bales (one need not add “cotton” down here) last year. There are fences and pigs and cows, and the soft-voiced, velvet-skinned young Memnon, who sauntered half-bashfully over to greet the strangers, is proud of his home. We turn now to the west along the county line. Great dismantled trunks of pines tower above the green cottonfields, cracking their naked gnarled fingers toward the border of living forest beyond. There is little beauty in this region, only a sort of crude abandon that suggests power,—a naked grandeur, as it were. The houses are bare and straight; there are no hammocks or easy-chairs, and few flowers. So when, as here at Rawdon’s, one sees a vine clinging to a little porch, and home-like windows peeping over the fences, one takes a long breath. I think I never before quite realized the place of the Fence in civilization. This is the Land of the Unfenced, where crouch on either hand scores of ugly one-room cabins, cheerless and dirty. Here lies the Negro problem in its naked dirt and penury. And here are no fences. But now and then the crisscross rails or straight palings break into view, and then we know a touch of culture is near. Of course Harrison Gohagen,—a quiet yellow man, young, smooth-faced, and diligent,—of course he is lord of some hundred acres, and we expect to see a vision of well-kept rooms and fat beds and laughing children. For has he not fine fences? And those over yonder, why should they build fences on the rack-rented land? It will only increase their rent.